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About this sample
About this sample
Words: 491 |
Page: 1|
3 min read
Published: Mar 16, 2024
Words: 491|Page: 1|3 min read
Published: Mar 16, 2024
In both Mary Shelley's Frankenstein and Tim Burton's Edward Scissorhands, the theme of the monstrous is explored through the characters of the Creature and Edward, respectively. While both characters are initially perceived as monstrous due to their physical appearances, their journeys ultimately reveal their humanity and the true monsters in society. By analyzing the similarities and differences between these two iconic works, we can gain a deeper understanding of the complexities of human nature and the societal constructs that shape our perceptions of others.
Both the Creature and Edward possess physical attributes that set them apart from the rest of society. The Creature's grotesque appearance, assembled from various parts, immediately incites fear and revulsion in those who encounter him. Similarly, Edward's scissorhands and pale complexion make him an outcast in the suburban neighborhood where he is introduced. These physical differences serve as a barrier to acceptance and belonging, highlighting society's tendency to ostracize those who do not fit within narrow standards of normalcy.
In Frankenstein, Victor Frankenstein's creation of the Creature leads to disastrous consequences, as the abandoned and misunderstood being seeks revenge on his creator and society as a whole. The novel raises questions about the ethical responsibilities of creators and the potential consequences of playing god. In contrast, Edward's creator, an inventor, initially welcomes him into his home and attempts to integrate him into society. However, it is the actions of the suburban community that ultimately drive Edward to isolation and despair.
Both the Creature and Edward experience profound isolation due to their otherness. The Creature, rejected by his creator and shunned by society, grapples with feelings of profound loneliness and abandonment. Similarly, Edward's inability to interact with others without causing harm leads to his seclusion in the inventor's mansion. The films poignantly depict the pain of being an outsider, highlighting the damaging effects of societal rejection and the human need for connection and belonging.
While the Creature and Edward are initially labeled as monstrous, it becomes clear that the true monsters in these narratives are the humans who mistreat and misunderstand them. In Frankenstein, Victor's reckless ambition and the villagers' violent reactions reveal the darkness within human nature. Similarly, the superficial and judgmental behavior of the suburban community in Edward Scissorhands exposes the ugliness of prejudice and conformity. By juxtaposing the supposed monsters with the actions of the "normal" characters, both works challenge the audience to reevaluate their definitions of monstrosity and compassion.
Through the examination of Frankenstein and Edward Scissorhands, it becomes evident that the true essence of monstrosity lies not in physical appearance, but in the actions and attitudes of individuals. The characters of the Creature and Edward serve as poignant reminders of the dangers of prejudice, isolation, and the consequences of societal rejection. By delving into their narratives, we are compelled to confront our own biases and consider the true meaning of humanity.
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