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About this sample
About this sample
Words: 918 |
Pages: 2|
5 min read
Published: Feb 12, 2019
Words: 918|Pages: 2|5 min read
Published: Feb 12, 2019
In William Shakespeare's play, 'The Merchant of Venice', Shylock is a central figure in the narrative. His character is intricately linked with major themes of the play: justice, mercy, and prejudice, particularly racial and religious. Shylock's trial scene significantly contributes to the shocking experience of the play. It is in relation to him that Portia's control over the situation is also shown, and, apart from other things, the romantic element in the portrait of Bassanio and the grave element in that of Antonio. Shylock finds himself in a strange situation, but he remains an intelligent man and conducts the litigation to the best of his ability.
Shylock belongs to an outsider group in Venetian society. He is a Jew who engages in money lending as a means of livelihood. He is deeply offended by Antonio, who detests him. There is good evidence that Antonio has an animus against the Jews, to which Shylock incurs great enmity. The significance of Shylock is not yet spent. He will exact his pound of flesh, and the play will be dramatically unfolded through the two very influences: one of him and the other of Portia. Shylock has played a vital role in shaping the main conflict of the play. There is not the slightest reason for his mercy to be at the writer's disposal. Shylock's financial relationship with the Christians and his hatred for them are crucial to the plot of 'The Merchant of Venice'.
The importance of the Shylock question involves hate and bitterness in the Jew's heart and conscience in the believer. Shylock becomes racist when there is no other way out of his racial difficulties. The Jew’s situation is tragic in Venetian society. Shylock’s tragedy lies in his relationship with the Venetians. Against the cultural and social malice of the Christians, our hatred of Shylock’s avarice and racism loses virulence. Shylock’s tragedy is social and psychological. In the final scene, Shylock becomes the revealed man.
Open for exploration in 'The Merchant of Venice' is the relentless plotting and intrigue of Shylock. Why is Shylock so money-grubbing? Greedy? What sensitivities lie behind his paranoia, secretiveness, and irrational hatred of those who hurt him? Why does he set himself up to share his culture's stereotype of Jews hating Christians? A classic Shakespearean figure, Shylock is too often carelessly and uniformly dismissed as a miser and a villain. Given his extremely justifiable hatred, Shylock should not be portrayed as preferentially vengeful. Rather, he is deeply vulnerable, and consequently his excessive rage is easily understandable. The play uses direct and indirect language to reach Shylock's character from different points of view.
We know from him and through him that people have generally been wary or fearful of him, specifically as a money lender. Not allowed in many guilds, even the keeping of the financial records of the state could not prevent his mistreatment or the mistreatment of his family and finances. He is an excellent businessman. He manages to keep quiet and to laugh mockingly at his good and our bad fortune. It is his accuser Antonio, the play's nominal hero, rather than he who repeatedly reminds that he is "too good for a Jew." He is father to two sons, one of whom has lived with him.
Shylock, the Jewish moneylender, is a complex figure in the play. Audiences viewed him as a villain due to his religion, but his final scene portrays him as a victim. While many audiences initially regarded him negatively, there are moments that elicit pity. Despite his villainous actions, Shylock sees himself as a victim. This ambiguity haunts the play, particularly in the trial scene. Shylock demonstrates his economic behavior while pleading for justice and mercy. Despite the lack of justice, there remains partial sympathy for him. The play explores justice and the moral object of mercy, which is Shylock. This resolution creates a competing and complex identity for him as both a victim and a victimizer.
In conclusion, Shylock's character weakens throughout the play due to conflicting wills. Antonio becomes his target due to racial prejudice, representing Christian civilization. Shylock's hatred towards Antonio is fueled by his failure as a father.
Shylock suffers losses with Jessica and his property, faces danger from the state, and receives punishment under Christian law. He turns mercenary and his moral judgment changes towards Antonio. His figure becomes frail and he proves he lacks personal nobility. Shylock becomes the means of the Christian solution.
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