Conflicts Between Abigail and Proctor in The Crucible

The relationship between Abigail Williams and John Proctor in Arthur Miller's play, The Crucible, is characterized by a series of conflicts that stem from their complicated history and conflicting desires. This essay will explore the various conflicts that exist between Abigail and Proctor, shedding light on their motivations and the implications of their actions. Through an analysis of the text, it becomes evident that the conflicts between these two characters are driven by their personal ambitions, guilt, and the struggle for power. Ultimately, these conflicts expose the destructive nature of unchecked desire and the consequences it can have on individuals and society as a whole.

Conflict 1: Desire and Guilt

One of the primary conflicts between Abigail and Proctor is rooted in their shared desire and guilt. Abigail, who harbors deep feelings for Proctor, seeks to rekindle their previous affair by accusing Proctor's wife, Elizabeth, of witchcraft. This desire stems not only from her love for Proctor but also from her guilt for engaging in an adulterous relationship with him. The guilt and shame Abigail experiences lead her to believe that if she can eliminate Elizabeth, she can finally have Proctor for herself. This conflict between desire and guilt is evident in Act I when Abigail tells Proctor, "I look for John Proctor that took me from my sleep and put knowledge in my heart!" (Miller 22). Here, Abigail's desire for Proctor is juxtaposed with her guilt, leading to a conflict that drives the narrative.

On the other hand, Proctor is torn between his desire for Abigail and his guilt for betraying his wife. Although he initially succumbs to Abigail's advances, he later realizes the gravity of his actions and seeks redemption. This conflict is evident in Act II when Proctor says to Abigail, "Abby, I may think of you softly from time to time. But I will cut off my hand before I ever reach for you again" (Miller 55). Proctor's desire for Abigail is pitted against his guilt for betraying his wife, creating a conflict that drives his character development throughout the play.

Conflict 2: Power Struggle

Another significant conflict between Abigail and Proctor revolves around the struggle for power. Abigail, driven by her desire for Proctor and her thirst for control, manipulates the Salem witch trials to her advantage. She uses her position as the accuser to gain power over others, instilling fear in the community and ensuring her own safety. This power struggle is apparent in Act III when Abigail exclaims, "Let you beware, Mr. Danforth. Think you be so mighty that the power of Hell may not turn your wits?" (Miller 91). Abigail's quest for power not only creates conflict between her and Proctor but also between her and the other characters in the play.

Proctor, on the other hand, represents a challenge to Abigail's power. He refuses to succumb to her manipulations and stands up against the court, exposing Abigail's lies. This conflict between Abigail's desire for power and Proctor's resistance to her control is evident in Act III when Proctor exclaims, "Is the accuser always holy now? Were they born this morning as clean as God's fingers?" (Miller 85). Proctor's defiance threatens Abigail's power, resulting in a conflict that exposes the corruption and injustice of the Salem witch trials.

Conclusion

The conflicts between Abigail and Proctor in The Crucible are driven by their personal ambitions, guilt, and the struggle for power. Their desires and the guilt that accompanies them create a complex web of conflict that propels the narrative forward. Additionally, the power struggle between the two characters exposes the corrupt and manipulative nature of those in positions of authority. Through the examination of these conflicts, it becomes clear that unchecked desire and the pursuit of power can have devastating consequences on individuals and society as a whole. The conflicts between Abigail and Proctor serve as a cautionary tale, reminding us of the importance of morality and the dangers of succumbing to our baser instincts.

Bibliography

Miller, Arthur. The Crucible. Penguin Classics, 2003.