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About this sample
About this sample
Words: 463 |
Page: 1|
3 min read
Updated: 16 November, 2024
Words: 463|Page: 1|3 min read
Updated: 16 November, 2024
Movies about contact with aliens are pretty numerous, and what aliens mostly do is abduct, scrutinize, infiltrate, devastate, enslave, observe, and attack humanity. In those rare cases when aliens’ intentions are peaceful and harmless, it is usually not a problem to understand them. All this only obstructs credibility and suspense, and the main question in probably 90% of alien movies is “How do they look?” or “How can humanity win?” However, this movie mostly deals with the question “Why are they here?” It illustrates the major problem with alien contact: even if Earth is someday visited by an advanced and peaceful alien race trying to establish contact, most likely both sides will be unable to understand each other. Contact means communication, and the latter is barely possible without language. Therefore, the problem of translation becomes extremely topical — and this is what Arrival is about.
Arrival is a 2016 American science fiction movie directed by Denis Villeneuve and written by Eric Heisserer. It is based on the 1998 short story "Story of Your Life" by Ted Chiang and stars Amy Adams, Jeremy Renner, and Forest Whitaker. It won an Oscar in addition to 65 awards, with a total of 250 nominations. The film revolves around a linguist who works with the military to communicate with alien lifeforms after twelve mysterious spacecraft appear around the world. Like all the best sci-fi, Arrival has something pertinent to say about today's world, particularly about the importance of communication.
It is perhaps one of the most, if not the most, realistic first-contact stories to stem from Hollywood’s visionaries. The film presents a distinctly more idealistic and hopeful perspective than most movies in this genre, one in which the best solutions don’t necessarily materialize in a gun sight. It is much more concerned with deep truths about language, imagination, and human relationships. Communication or the lack thereof has always been one of the primary obstacles to equitable interactions between cultures; this story takes that notion to an engaging and powerful extreme. There’s a simple yet profound way it goes about telling its narrative, and it’s worthy of applause.
Unfortunately, the movie does not explain much, though. It does not elaborate on how and why aliens can see the future. It desperately lacks details. It seems like the movie creators focused more on Louise’s memories and conversations with aliens rather than explaining the tremendous gap between Heptapods’ and humans’ mentalities. Without this explanation, the movie’s storyline, the characters’ motives, and the role of Heptapods’ written language remain unclear. Generally, everything about Arrival — the aesthetics, the narrative, the ideas, and the performances — is great.
In conclusion, Arrival is a crowd-pleaser movie that successfully focuses on the significance of communication rather than being a typical alien movie. It challenges viewers to think about the complexities of language and the barriers it can create, making it not just a film about aliens, but a profound commentary on human interactions.
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