George and Asagai Character Analysis

George And Asagai Character Analysis

In Lorraine Hansberry's play, A Raisin in the Sun, the characters of George Murchison and Joseph Asagai play pivotal roles in shaping the protagonist, Beneatha Younger. These two men represent different aspects of Beneatha's life and aspirations, and through their interactions with her, the audience gains insight into her values, dreams, and inner conflicts. This essay will analyze the characters of George and Asagai, exploring how they influence Beneatha's personal growth and reflect the societal context of the play.

George Murchison, a wealthy and educated African American, represents the assimilated, middle-class black population that strives to conform to white societal norms. He is introduced as Beneatha's suitor, and their relationship is characterized by tension and disagreement. George's views on race, identity, and success clash with Beneatha's independent and non-conformist mindset. His preference for assimilation and detachment from his African heritage is evident in his disdain for Beneatha's interest in African culture and his condescending attitude towards her aspirations to become a doctor. As Hansberry writes, "He [George] does not like the way Beneatha is talking - about things that don't matter or about the wrong things" (Hansberry, 1959). This statement serves as evidence of George's dismissive attitude towards Beneatha's intellectual pursuits and his inability to comprehend her passion for self-discovery and social justice.

Furthermore, George's materialistic and superficial nature is highlighted in his interactions with Beneatha. He is more concerned with his image and status than with meaningful connections and personal growth. Beneatha expresses her frustration with George's lack of depth, stating, "You are a nice looking girl...all over, and lots of fun - but now that's over and now I would like to talk to you" (Hansberry, 1959). This quote illustrates Beneatha's disillusionment with George's shallow and insincere demeanor, highlighting the contrast between their values and priorities.

On the other hand, Joseph Asagai, a Nigerian student studying in the United States, represents the embodiment of African heritage and cultural pride. Asagai serves as a foil to George, offering Beneatha an alternative perspective on life and identity. His genuine interest in Beneatha's intellect, his respect for her heritage, and his encouragement of her dreams distinguish him from George. Asagai's influence on Beneatha is evident in his support for her education and his belief in her potential to make a positive impact in the world. He presents Beneatha with traditional Nigerian robes and encourages her to embrace her African roots, stating, "You wear it well... very well... mutilated hair and all" (Hansberry, 1959). This quote signifies Asagai's appreciation for Beneatha's natural beauty and his acceptance of her flaws, which contrasts with George's superficial expectations.

Moreover, Asagai's sincerity and depth of character resonate with Beneatha, as she seeks authenticity and purpose in her life. Their intellectual exchanges and philosophical discussions reflect their mutual respect and shared values, strengthening Beneatha's resolve to pursue her aspirations. Asagai's influence on Beneatha is evident in her decision to cut her hair and embrace her natural appearance, symbolizing her rejection of societal standards and her embrace of her African identity.

In conclusion, the characters of George Murchison and Joseph Asagai play significant roles in shaping Beneatha's personal growth and identity. Through their interactions with her, the audience gains insight into Beneatha's values, dreams, and inner conflicts. George represents the assimilated, materialistic, and conformist black population, while Asagai embodies African heritage, cultural pride, and authenticity. Both men reflect the societal context of the play and offer contrasting perspectives on race, identity, and success. Ultimately, Beneatha's relationships with George and Asagai contribute to her journey of self-discovery and empowerment, as she navigates her place in the world as a young African American woman. As the play unfolds, Beneatha's choices and relationships with George and Asagai serve as a commentary on the complexities of black identity and the quest for self-fulfillment in a racially divided society. The characters of George and Asagai challenge the audience to reflect on the significance of cultural heritage, personal values, and societal expectations in shaping individual identity and aspirations.