Imagery and Similes in Emerson’s "Commodity"

Ralph Waldo Emerson’s essay “Commodity” is a thought-provoking exploration of the nature of material possessions and their impact on human life. Throughout the essay, Emerson employs vivid imagery and powerful similes to convey his ideas and provoke deep reflection in the reader. By analyzing the use of imagery and similes in “Commodity,” we can gain a deeper understanding of Emerson’s perspective on the relationship between humanity and material wealth.

Visual and Figurative Language in Emerson's "Commodity"

One of the most striking uses of imagery in “Commodity” is Emerson’s description of the “circulation of the waters of the globe.” He compares the flow of water to the circulation of wealth and goods, stating that “the water of the globe is all one sea, covering the earth like a mantle, and in like manner the blood, the animal spirits, the life of man, is all one thing, and its filtration is only a question of time” (Emerson, 1844, p. 35). This imagery of the interconnectedness of the world’s water and the unity of humanity’s life force serves to emphasize Emerson’s belief in the universal nature of human existence and the transitory nature of material possessions. By likening the circulation of wealth to the circulation of water, Emerson underscores the idea that material goods are not permanent and should not be the focus of human life.

In addition to imagery, Emerson also utilizes similes to convey his ideas in “Commodity.” One particularly striking simile occurs when he compares the “priceless” nature of knowledge to the “pearl of great price” (Emerson, 1844, p. 42). This simile serves to emphasize the immense value of knowledge and wisdom, highlighting the contrast between the ephemeral nature of material possessions and the enduring worth of intellectual and spiritual pursuits. By likening knowledge to a precious pearl, Emerson encourages the reader to reevaluate their priorities and consider the true sources of value in life. This reflection is crucial in an era where material wealth is often equated with success, prompting a reexamination of what truly constitutes a fulfilling and meaningful life.

Furthermore, Emerson uses vivid imagery to depict the fleeting nature of material possessions. He describes the “cradle and infancy of all things” and the “fading of the fair and the pathetic” as examples of the impermanence of material wealth (Emerson, 1844, p. 48). This imagery serves to underscore Emerson’s belief that the pursuit of material goods is ultimately futile, as they are subject to decay and obsolescence. By invoking images of infancy and fading beauty, Emerson prompts the reader to consider the transitory nature of material possessions and the folly of placing excessive value on them. In doing so, he encourages a shift towards valuing experiences and relationships over tangible assets.

Conclusion

Emerson’s use of imagery and similes in “Commodity” serves to convey his profound insights into the nature of material wealth and its impact on human life. Through vivid descriptions and powerful comparisons, he encourages the reader to reconsider their relationship with material possessions and to seek fulfillment in more enduring sources of value. By analyzing the use of imagery and similes in “Commodity,” we can gain a deeper appreciation for Emerson’s timeless wisdom and the enduring relevance of his ideas.

In conclusion, Ralph Waldo Emerson’s essay “Commodity” is a rich tapestry of imagery and similes that serves to convey his profound insights into the nature of material possessions and their impact on human life. Through vivid descriptions and powerful comparisons, Emerson prompts the reader to reconsider their priorities and seek fulfillment in more enduring sources of value. By analyzing the use of imagery and similes in “Commodity,” we can gain a deeper understanding of Emerson’s perspective on the relationship between humanity and material wealth, and the enduring relevance of his ideas.

References

Emerson, R. W. (1844). Commodity. In R. W. Emerson, Essays: Second Series. Boston: James Munroe and Company.