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Masterpiece in Motion: Analysis of 'The Starry Night

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I chose to write Starry Night analysis essay as I chose to do Vincent Van Gogh painting called “Vincent Van Gogh”. This was considered to be completed in Poet Impressionism movement. It is one of my favorites as I find it very beautiful and intriguing. It has been my favorite since I first saw it in 1st grade in my former teacher, Dan Sorensen’s art room hanging and he told us about him and why he always found him interesting as an Italian artist seeing he grew up with a college roommate buying paintings as he felt they had a calming effect on them he told us that he was more of a painter that set a peaceful tone to many’s saddening and depressing mood and I must certainly agree as his paintings are very enlightening and very colorful to show how one’s mood can certainly change into a brighter outlook within time.

Van Gogh composed Starry Night in 1889 in Saint-Paul-de-Mausole’s psychiatric ward near Saint-Rémy-de-Provence where he survived well and was granted more liberation than other sufferers. If paid attention to, he could exit the hospital grounds and was granted permission to coat, study, and move back into his own room and was supplied a workplace He underwent seldom setbacks and went into psychotic states – formally analyzed with seizures – Seemingly his mental state was bettering.

Sadly, he had worsened. He began to suffer delusions and had suicidal thought process as clinical depression had set in. His talent had substantiated polytonal change. Integration of darker hues returned from commencement of his line of work and “Starry Night” is an exemplary illustration of this specified alteration. Blue overpowers this masterpiece mixing mounds into the atmosphere. The little hamlet is positioned at the foundation in the painting in shades of chocolate brown, silver, and wild blue yonder. Despite the fact, each artifact is perfectly lineated in pitch-black, canary and pearl hue of celestial bodies and lunar atmosphere are noticeable more so than the sky, reeling in a person’s eyes towards the atmosphere’s detailing in the masterpiece.

These are the more attentive features of this masterpiece by Van Gogh. The proficiency in the masterpiece is very noticeable. The atmosphere is in a spiraled feature, with clouds featuring a bright hue circumferencing the celestial bodies and moon. If you glance carefully, on the cypress tree the celestial bodies and lunar attribution slope with the curvature of the tree limbs. This entire circumstance is worldly and ethereal. The hills simply flatten in a downward motion within the diminutive town below. Contrary, the settlement is positioned horizontal as well as vertical, complete accompanying rigid lineature interrupting strokes of paintbrush and rhythm of those as well. Small trees dampen rigidity of the village distributing universe within the artifacts.

A major point of passion about this specific painting is it was developed wholly from Van Gogh’s mind. This area does not complement circumferencing Saint-Paul or the viewpoint from his windowpane. As a man who faithfully paints what he views. it’s an excellent pause from Van Gogh’s usual labor.

The difference in format plays a role on nature against unusual thoughts contraband realism. Nature could even be conceptual, heavens above in this project. Genesis 37:9, Joseph declares, “And he thought of an alternative vision and declared to his brothers, stating “Notice, I’ve envisioned an epiphany additional and take notice of the sunlight and lunar visionaries and ordinal celestial sights that paid obedience unto me,” This was foreboding someday his loved ones would pay homage to him as an omnipotent personage. Few individuals correlate this passage into the painting. Possibly, it’s acknowledgment to Van Gogh’s loved ones who were hesitant of his artistic talent, with his brother only believing his success would flourish.

It may be that Van Gogh plainly desired to aspire in superior control in his artistic production as he was raised in faithful household. Split the artistic creation into three sections The atmosphere is the providential and is far and away the consummate and surreal, picturesque portion of the masterpiece on the far side of humanlike apprehension and is approximately out of reach. Move down a single grade to the coniferous tree, the mounds and the various trees on the dry land. They curve and curl, yet soft standpoints that fit the cottony convolution of the sky. The final portion is the residential area. The unbent formation and sharp slant detaches it from the entirety of the painting, ostensibly isolating it from the “heavens” of the sky. However, observe the specks of ligneous plant wrapped up through and through the settlement, how the steeple of the place of worship reaches heavenward to the atmosphere. The Savior is transported to the residential being painted on the masterpiece by Vincent Van Gogh himself in this beautiful work of art.


  • (2019). Starry Night Analysis. Retrieved August 12, 2019, from
  • The Van Gogh Gallery. (2019). Van Gogh Starry Night. Retrieved August 12, 2019, from
  • Van Gogh Gallery. (2019). Starry Night by Vincent Van Gogh [Photograph]. Retrieved from

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Masterpiece in Motion: Analysis of ‘The Starry Night. (2023, February 11). GradesFixer. Retrieved March 26, 2023, from
“Masterpiece in Motion: Analysis of ‘The Starry Night.” GradesFixer, 11 Feb. 2023,
Masterpiece in Motion: Analysis of ‘The Starry Night. [online]. Available at: <> [Accessed 26 Mar. 2023].
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