My Experience of Attending a Jazz Concert

Introduction

Attending a jazz concert for the first time can be a gateway to a musical realm that blends spontaneity and skill in equal measure. On October 19, 2019, Mt. Sac’s Feddersen Recital Hall hosted a performance featuring four accomplished musicians: Bob Sheppard, who alternated between alto and soprano saxophones, Jeff Ellwood on the tenor saxophone, Dean Koba on drums, and Katie Thiroux on the double bass. Although each artist contributed a special dimension, the presence of the double bass stood out, anchoring the entire ensemble with a steady pulse and vibrant tone. The lively syncopation, subtle swing, bent notes, modal improvisations, and fluid coordination among the performers created a memorable experience that lingered long after the final note.

First Impressions of the Ensemble

From the opening moments, it was evident that the musicians had a strong connection. The drummer laid down a captivating groove, while the saxophonists wove melodic lines around the warm foundation set by the double bass. This arrangement offered both coherence and liveliness, enabling each player to shine during solos without overpowering the rest. The audience appeared immediately drawn to the atmospheric interplay between saxes and rhythm section, making the concert feel accessible yet sophisticated.

The Impact of the Double Bass

The double bass served as a linchpin for the entire performance. Thiroux’s approach highlighted the rhythmic core, keeping a fluid yet firm beat that provided space for harmonic explorations. Each plucked note or short slide accentuated the syncopation that defines jazz. Her segments showcased a clear understanding of when to drive the tempo and when to allow more openness for the saxophonists to improvise. This synergy between the bass and the rest of the ensemble was key to sustaining a sense of excitement.

“Optimal Propensity” and Its Evolving Harmony

One of the standout pieces from the program was “Optimal Propensity.” It began with a focus on lower tones, hinting at a shadowy, almost understated backdrop. As the drums and saxophone established the theme, the composition moved toward a more consonant harmony. There were dynamic shifts in tempo, reflected in how the saxophone took on a lighter, playful tone in certain passages. This contrast gave the piece an expressive quality, shifting between uplifting peaks and calmer interludes. The ensemble’s transitions demonstrated an advanced level of coordination, balancing spirited improvisations with a coherent musical narrative.

Melodic Warmth in “Have You Met Ms. Jones?”

The second tune, “Have You Met Ms. Jones?”, introduced a romantic spirit. It opened with a lyrical saxophone melody that evoked images of a late-night jazz club where the energy is unhurried but deeply engaging. The bassline and saxophone seemed to trade rhythmic responsibilities, weaving a dialogue of phrases that alternated in pace. Over time, the music gained momentum, drawing parallels to a steadily rising heartbeat. This climax merged all instruments in a heightened exchange of volume and expressiveness, before gently returning to a quieter resolution. The audience responded with enthusiastic applause, reflecting the emotional arc of the piece.

Romantic Undertones in “Did It Have to Be You?”

Another selection, “Did It Have to Be You?”, carried a sense of wistfulness from the first note. A gradual crescendo introduced a fuller sound that moved from mellow to bold. The saxophones added a layer of tenderness, while the bass provided a velvety backbone for the harmony. As the song developed, its melodic line remained smooth, laced with subtle accents and intimate shifts in dynamics. When the final section arrived, the ensemble returned to a gentler tone, underlining the soft, romantic qualities that had initially drawn the listener in.

Reflections on a Newfound Appreciation

Before attending this concert, I had limited exposure to live jazz. Stepping into the hall with little prior familiarity became an incredible surprise once the performance began. Each piece sparked the realization that jazz is far more than background music—it is a vibrant form of artistic conversation. The harmony, improvisation, and interplay between the musicians revealed a level of skill that can only emerge when instrumentalists trust each other’s instincts. By the end of the evening, I felt that I had discovered a corner of “real music” I had been overlooking for far too long.

A Glimpse into the Audience

The audience was a mix of college students—likely attending for a class requirement, much like myself—and older jazz aficionados who attended purely out of interest. Despite these different motivations, both groups responded with equal enthusiasm. Applause erupted consistently at the end of each song, indicating that the performance resonated with everyone present. The environment felt inclusive and supportive, allowing novices and seasoned listeners alike to be swept up in the band’s artistry.

Lasting Impressions and Personal Growth

Looking back on this event, it stands out as a highlight among various live shows I have experienced. My professor’s suggestion to attend proved invaluable; I discovered a new enthusiasm for an art form that predates the modern mainstream. Since then, I have actively searched for more jazz performances in order to deepen my understanding. I have always cherished music as a life passion, and live jazz concerts present a fascinating way to engage with both tradition and creativity.

Final Observations

One aspect of jazz concerts that continues to amaze me is the element of teamwork. Although each musician is a soloist in their own right, the shared momentum and interplay are what bring the music to life. Vocals were not part of this particular show, yet each saxophone flourish, bass phrase, and drum pattern served as a form of storytelling. The passion of the musicians seemed to flow through each note, demonstrating that heartfelt expression on stage requires attentive collaboration. My intent is to attend more concerts, even beyond academic needs, to keep exploring the essence of jazz and expand my musical horizons.

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