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Context and textual form construct ideas that remain perpetual throughout all societies, yet the values behind these ideas differ in nature. Shakespeare’s play, the tragedy Othello, and its contemporary counterpart, Tim Blake Nelson’s film “O”, expresses themes of power and jealousy that remain consistent in...
In Shakespeare’s Othello, Iago plots Othello’s destruction when he is passed over for a promotion. Iago tells Othello that Desdemona has been unfaithful to him and provides circumstantial evidence for this. Othello becomes full of anger and jealousy and kills Desdemona. Othello later finds that...
Misogyny can be defined as the cultural attitude of hatred for females simply due to the fact that they are female and are seen as inferior to men in the Elizabethan society, because of misogyny, women live in a society dominated by men. As we...
Desdemona character analysis (essay) Desdemona, one of the main characters in Othello, has often been underestimated by readers who only see her as a beautiful woman without much substance. However, Desdemona is much more than just a pretty face. She is a catalyst who has...
Othello is a tragedy by William Shakespeare set in Venice. Othello is a highly respected general and Iago is his ambitious comrade. Othello promotes Michael Cassio to the position of lieutenant and Iago becomes extremely jealous. Iago begins plotting against Othello, the eponymous hero, and...
The downfall of Othello is a story by William Shakespeare which is a romantic tragedy involving some themes such as jealousy, revenge, greed, reality versus appearance which all play a role in bringing the play into a tragic end. The play begins with an argument...
The guest for identity or the fight to be recognized in certain positions is one of the central themes on which Shakespeare build his play Othello, Moor of Venice. This theme is explored in various categories by different characters. The main purpose of this paper...
It’s a known fact that jealousy can cause a person to go to extreme measures in order to get what they want. With a little bit of jealousy and a spark of ambition, the evil possibilities are endless but how far exactly will an envious...
Shakespeare weaves an intricate web ensnaring the characters in The Tragedy of Othello, The Moor of Venice. A handkerchief, a small and seemingly insignificant square of fabric, exerts magical powers over the characters as it transfers from person to person in the play. Six characters...
The Unsuspecting Jealousy is an omnipresent emotion. It oftentimes has a negative effect on people. In Othello, the play by William Shakespeare, the protagonist ends up killing his wife because he suspects her of infidelity. While this is a heinous crime, Othello was simply a...
That the character Desdemona in Shakespeare’s play Othello holds on to her dignified manner until the very end, when she is murdered by her jealous husband, is indicative not only of her chaste mind, but also of her willful determination. Given that women of the...
Pride and Jealousy “Othello”, written by Shakespeare, uses multiple thematic focuses to develop a tragic plot. The Othello Oral Report focused on dishonesty and miscommunication, jealousy and regret, and gender and pride, as well as more themes that I consider less prominent and will therefore...
Othello by William Shakespeare centres around the themes of prejudice, manipulation and deception that are driven by envy. These consisting themes misguide peoples perceptions and actions that result into the ultimate unfortunate death of Desdemona. Iago being a cunning man, he has no problem in...
With time, values change. Ideas and morals that had once been standard could be reformed to fit the current time. The time period in which Othello and O took place are both significantly different. Othello takes place in the Elizabethan era and O is centred...
Jealousy is one of the most destructive feelings of human’s natures. A character of Shakespeare’s Othello became synonymous with the word jealous husband. Othello is a tragedy of heavy and terrible trials, which was subjected to the sublime and deep love of two beautiful people....
Speech in Shakespeare’s “Othello” possesses a power beyond that of deeds’. It is Othello’s fantastical storytelling that won him Desdemona at the start, Iago’s poisonous suggestion that leads the general to murder his own wife, Emilia’s testimony that traps the villain in the end. Not...
“An evil person may be considered as somebody who condones bad or morally wrong activities that cause ruin, injury, misfortune or destruction” Brandon Johnson writes in. In the play “Othello” by William Shakespeare the character of Iago can be considered evil and immoral. Iago is...
Iago’s isolation from humanity is ideological and emotional hermitry rather than physical solitariness: he detaches himself from social standards and practices, but continues to weave his diabolical influence as a player in the social scene, creating chaos and tragedy. His moral isolation is seen early...
“I must weep, / But they are cruel tears,” says Othello near the end of his soliloquy in Act Five, Scene Two, right before killing Desdemona. Traditional Shakespearean murderers do not shed tears prior to killing their victim; in Shakespeare’s Othello, however, the Moor is...
The name Iago comes from Latin, “Iacobus,” meaning “one who trips up another and takes his place.” This name also belongs to the most important character in Shakespeare’s Othello and one of the most wonderfully evil characters of all time. The character Iago is more...
Geographical juxtaposition is not uncommon in the genius works of William Shakespeare. In his renowned play, Othello, Shakespeare exploits the stark contrasts in the story’s two settings, the two cities of Venice and Cyprus. Shakespeare presents the environmental, moral, and behavioral dichotomies between Venice and...
In Shakespeare’s play, Othello, the character Emilia is essential in exploring the theme of gender and the expectations placed on women. The anonymous writer of, “From Counsel to the Husband: To the Wife Instruction” believes the answer to maintaining a happy marriage is for both...
In Richard Dyer’s essay, (now book) White, he states: There are inevitable associations of white with light and therefore safety, and black with dark and therefore danger, and that this explains racism (whereas one might well argue about the safety of the cover of darkness,...
Manipulation, coupled with good intentions, can lead to a favourable outcome; but when used in an immoral manner, it is the beginning of a tragic end. Such a tragedy strikes in the play “Othello” written by one William Shakespeare. The passage in Act I.i.45-71 is...
As a human, everyone consists of emotions that cannot be ignored, while some are positive others are not, it is believed that jealousy is often the secondary emotion to the primary emotion of anger or fear. Although jealousy is a common emotion, its power of...
In “Women and Men in Othello: ‘what should such a fool/Do with so good a woman?’,” critic Carol Thomas Neely asserts that nearly all rational thought in Othello comes from women. In Neely’s view, the men of Othello are too consumed by pride, jealousy, and...
William Shakespeare’s Othello is known as probably the best catastrophe since the beginning. The deplorability of Othello is the story of envy. It is Othello’s open uncertainty that makes him desirous of Cassio and empowers him to acknowledge that Cassio has laid down with Desdemona....
A crisis is usually a negative distribute of emotions. When we prevent negative energy from manifesting, the balance is kept. Although it is difficult to maintain constant awareness at all times. The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as...
The tragedy of Othello, written by William Shakespeare, introduces the central character Othello, as a very honorable, and dignified person who has enthralled adventures and has very good military accomplishments. Although, his insecurities make him Othello easy to be taken advantage of and manipulated by...
Iago is the key villain in ‘Othello’, the play by William Shakespeare. His envy and jealousy makes him rescind the life of his wife’s boss and the boss himself, Othello. Most often, people work to achieve goals which at times proves difficult watching others, who...
Othello, Desdemona, Iago, Michael Cassio, Emilia, Roderigo, Bianca, Brabanzio, Duke of Venice, Montano, Lodovico, Graziano, Clown
Symbols/motives
Sight and blindness, plants, animals, hell, demons, and monsters, the handkerchief, the song “Willow”
Themes
The incompatibility of military heroism and love, the danger of isolation, race, religious and philosophical, the hero
Quotes
"She loved me for the dangers I had passed, And I loved her that she did pity them. This only is the witchcraft I have used."
"I kissed thee ere I killed thee—no way but this, killing myself to die upon a kiss"
"Reputation, reputation, reputation! Oh, I have lost my reputation! I have lost the immortal part of myself, and what remains is bestial"
"Men in rage strike those that wish them best"
"But I will wear my heart upon my sleeve for daws to peck at: I am not what I am"
Interesting facts
Othello as a literary character has appeared in many representations within popular culture over several centuries. There also have been over a dozen film adaptations of Othello.
In Shakespeare's source material, the only character with a name is Desdemona.
There are currently 20 film versions and adaptations of the play
Iago is by far the most verbose character of the play.
The name 'Othello' means wealth.
The word 'honesty' or variants thereof are used 52 times over the course of the play.
References
1. Chandler, M. (1987). The Othello effect. Human development, 30(3), 137-159. (https://www.karger.com/article/Abstract/273174)
2. Shakespeare, W. (2019). othello. In One-Hour Shakespeare (pp. 231-302). Routledge. (https://www.taylorfrancis.com/chapters/edit/10.4324/9780429262715-11/othello-william-shakespeare)
3. Neill, M. (1989). Unproper beds: Race, adultery, and the hideous in Othello. Shakespeare Quarterly, 40(4), 383-412. (https://www.jstor.org/stable/2870608)
4 . Neely, C. T. (1977). Women and Men in" Othello";" what should such a fool/Do with so good a woman?". Shakespeare Studies, 10, 133. (https://www.proquest.com/openview/91053b700d876bd2b3be478cb40742b1/1?pq-origsite=gscholar&cbl=1819311)
5. Cipriani, G., Vedovello, M., Nuti, A., & Di Fiorino, A. (2012). Dangerous passion: Othello syndrome and dementia. Psychiatry and clinical neurosciences, 66(6), 467-473. (https://onlinelibrary.wiley.com/doi/full/10.1111/j.1440-1819.2012.02386.x)
6. Siegel, P. N. (1953). The Damnation of Othello. PMLA, 68(5), 1068-1078. (https://www.cambridge.org/core/journals/pmla/article/abs/damnation-of-othello/F3193C55450F83F4EFACB0DDF5983B0E)
7. Poulson, C., Duncan, J., & Massie, M. (2005). “I Am Not What I Am”–Destructive Emotions in an Organizational Hierarchy: The Case of Othello and Iago. In The Effect of Affect in Organizational Settings (Vol. 1, pp. 211-240). Emerald Group Publishing Limited. (https://www.emerald.com/insight/content/doi/10.1016/S1746-9791(05)01109-0/full/html)
8. Bristol, M. D. (1990). Charivari and the Comedy of Abjection in" Othello". Renaissance Drama, 21, 3-21. (https://www.journals.uchicago.edu/doi/abs/10.1086/rd.21.41917258?journalCode=rd)
9. Nowottny, W. (1954). Justice and love in Othello. University of Toronto Quarterly, 21(4), 330-344. (https://www.utpjournals.press/doi/abs/10.3138/utq.21.4.330)
10. Braden, W. S. (1990). The Properties of" Othello,". Philosophy and Literature, 14(1), 186-187. (https://muse.jhu.edu/pub/1/article/417219/summary)
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