Plot Summary and Review of Grizzly Man by Werner Herzog

Timothy Treadwell lived unarmed among the bears for thirteen summers and recorded his experiences in the wild amid his last five seasons. On October 2003, Treadwell's remaining parts were found near their campground in Alaska's Katmai National Park and Reserve alongside his better half, Amie Huguenard. By utilizing solidarity, surface, and succession as visual components in the movie, the executive more builds up his contention. By using the expository part sentiment, Herzog viably shows Treadwell's enthusiasm for working with the bears and gives a solid contention recognizing the work that he had achieved. The visual components', solidarity, surface, and succession assume a ground-breaking job in Herzog's film since they unmistakably set up Treadwell's intentions. From the film, I drew Herzog's principal lesson; even though Treadwell's adoration for creatures is praiseworthy, when he failed to see the threat, he was placing himself in was, unavoidably, going to foreshadow his passing.

Throughout Treadwell’s life, he was always very interested in bears. When interviewing Treadwell’s parents in the film, his parents explained how he built up a relationship with his mom dependent on their shared love of creatures. They clarified how Treadwell struggled all through school for a considerable length of time, and his affinity for the camera was shown when he moved to Hollywood and showed up as a challenger on Love Connection. He later faltered into broken connections and substantial drinking and developed an enthusiasm for grizzlies. For over 12 years, he recorded grizzlies and his communications with them close to Alaska's Katmai National Park. He made a trip to numerous rudimentary and secondary schools sharing his encounters and learning about grizzlies, turned into a supporter for grizzly preservation and began the non-benefit association Grizzly People.

Treadwell never sufficiently understood that this imbalanced subject-object relationship would never work backward: the grizzlies would never wind up like him. What's more, Herzog is mindful so as not to wind up the object of his own narrative. While mindful of the perils, Treadwell attributed human-like characteristics to the bears and looked for an otherworldly bond with them however at last this 'bond' reversed his musings of the real world. The Film was only an investigation of Treadwell's character. Treadwell is uncorrupt and has a risky enthusiasm for the bears which verges on his madness, and Herzog focuses on that angle. Herzog cautiously develops the film with the goal that we see the realness of Treadwell's enthusiasm, and we see as he moves further and further far from rational soundness. The film never romanticized Treadwell, or sentimentalized nature, despite the fact that those eventual two of the most straightforward activities. Rather, Herzog utilizes the account of Treadwell and styles a story that focuses far from the possibility of concordance in nature, towards the tumult of the universe. In one specific scene, Herzog embeds himself straightforwardly through portrayal to call attention to that he can't help contradicting Treadwell in his conviction that nature is agreeable.

Treadwell's experiences among his dearest grizzlies were additionally a sort of execution, based on falsehoods and truth and happened on the phase of VIP. Even though his decisions were unsafe lastly lethal, he voyaged a commonplace American way molded by limitless good faith and a practically religious confidence in oneself. He lived among grizzlies since he trusted that he could. Given this, the dirty moves that pursued his passing, including the shocking snarkiness that crawled into paper features ('Grizzly bear that killed pair assaulted at noon'), are impactful. For a few, Treadwell's passing affirmed that creature activists and tree huggers are unsafe wackos; for other people, however, his despondent end may have recommended something similarly irritating: some of the time a grin and American altruism aren't enough. Throughout 'Grizzly Man,' people pay demonstration of Treadwell's delightfulness and gullibility. Some are caring; others less so. Every witness appears to catch some bona fide nature of Treadwell, who from the proof of his recordings and Mr. Herzog's thoughtful request, appeared to be similarly pleasant and credulous, bold and absurd. Sooner or later that absurdity mushroomed into a welter of fancies about his capacity to endure the wild in which he so heedlessly endeavored to get himself. His demise, as inescapable as it was preventable, could imply that he may have been more lost than found.