Revolution and Crisis in Behn's Oroonoko and Pope's The Rape of The Lock

Aphra Behn's Oroonoko and Alexander Pope's The Rape of the Lock both address themes of revolution and crisis, albeit in markedly different contexts. While Behn explores the horrors of slavery and the quest for freedom, Pope satirizes the trivialities of high society through a mock-epic lens. Both authors utilize their narratives to comment on the socio-political landscapes of their time, making profound statements about human nature and societal values.

Revolution in Oroonoko

In Oroonoko, the titular character serves as a symbol of resistance against the institution of slavery. Oroonoko, a noble African prince, is captured and sold into slavery, a fate that starkly contrasts with his royal lineage. His status as a "royal slave" complicates the traditional narrative of enslaved individuals, as he embodies both the dignity of nobility and the dehumanization of slavery. Behn's portrayal of Oroonoko emphasizes the psychological struggle he faces as he grapples with his identity and the betrayal of those he once considered allies.

The character's internal conflict is highlighted when Oroonoko learns of his beloved Imoinda's supposed death, leading him to abandon the fight for freedom. This moment foreshadows a tragic culmination of his love, as he ultimately takes Imoinda's life to prevent her from being enslaved, illustrating the extreme sacrifices he is willing to make. Behn’s narrative not only critiques the institution of slavery but also highlights the tragic consequences of love and loyalty in the face of societal oppression.

Crisis and Satire in The Rape of the Lock

In stark contrast, Pope’s The Rape of the Lock utilizes satire to critique the frivolity of aristocratic society. The poem opens with a foreboding warning to Belinda, indicating an impending crisis that reflects the trivial nature of the conflict to come. The titular act of cutting off Belinda's lock of hair becomes a metaphor for the misplaced values of society, where personal grievances are elevated to the level of epic battles.

The mock-epic structure of the poem parallels the grand narratives of classical literature, yet the subject matter is decidedly mundane. Through vivid imagery and military metaphors, Pope transforms a seemingly trivial event into a commentary on the absurdity of societal norms. For instance, the card game between Belinda and the Baron is depicted as a battlefield, with the stakes hilariously exaggerated. This juxtaposition serves to highlight the absurdity of the conflict, ultimately suggesting that the real crisis lies in society's preoccupation with trivialities rather than substantial issues.

Comparative Analysis of Revolutions and Crises

Both authors depict crises that serve as reflections of their societies, yet the nature of these crises differs significantly. Below is a comparison of the revolutions and crises in both works:

Conclusions on Societal Reflection

Ultimately, both Behn and Pope utilize their narratives to engage with the political and social issues of their time. Behn’s Oroonoko reveals the deep scars left by slavery and the complexity of identity within that context, while Pope’s The Rape of the Lock critiques the superficial values of high society, highlighting the absurdity of placing importance on trivial matters. While the revolutions and crises in these works differ in their gravity and implications, they both serve to expose the flaws and contradictions inherent in human society.

In conclusion, the exploration of revolution and crisis in Behn's and Pope's works underscores the enduring relevance of their critiques. Both authors invite readers to reflect on the political landscape of their respective eras, encouraging a deeper understanding of the societal values that shape human behavior.

Works Cited:

Behn, Aphra. Oroonoko. The Norton Anthology of Literature by Women. Comp. Sandra M. Gilbert, Susan Gubar. New York: W. W. Norton & Company, Inc., 2007. 186-231. Print.

Pope, Alexander. The Rape of the Lock. The Broadview Anthology of British Literature. Comp. Joseph Black. Peterborough, Ontario: Broadview Press, 2007. 1402. Print.