Aberrance in Two Poems by Robert Browning
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Essays on Robert Browning
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AllDramatic monologue My Last Duchess Poetry Duke Love Men and Women Elizabeth Barrett Browning
The Power of Voice in “my Last Duchess”
“My Last Duchess” by Robert Browning is a Victorian poem that demonstrates the power of voice. This poem is narrated by the Duke of Ferrara who uses his voice to gain control of those around him. He even speaks for his deceased wife, only explaining...
The Difference Between “ozymandias” by Percy Shelley and “my Last Duchess” by Robert Browning
The poems “Ozymandias” by Percy Shelley and “My Last Duchess” by Robert Browning are very different. However, they do have something in common – both poems are representations of their power. “Ozymandias” represents power as poem shows that human life is insignificant compared to the...
How Does Browning Present Images About Love in Women and Roses?
Women and Roses by Robert Browning explores the idea of dreams concerning love, in particular sexual love. The speaker imagines the three women of time as roses: the past, present, and future. Though this poem appeared within the repressive Victorian era, through the allusions and...
Comparative Analysis of the Poems Ozymandias by Percy Shelly and My Last Duchess by Robert Browning
“ The poem Ozymandias by Percy Shelly and My Last Duchess by Robert Browning are very different. However, they do have something in common, both poems represent power. Ozymandias represents power as poem shows that human life is insignificant compared to the passing of time,...
Exploring Love and Its Corruption: My Last Duchess, Andrea Del Sarto & Two in the Campagna
In both My Last Duchess and Andrea del Sarto, Robert Browning explores the notions of love and its capacity to corrupt an individual’s character and potential through his signature diegetic form; the dramatic monologue. While the form of these two poems is based around an...
Shelter from the Storm
In Robert Browning’s dramatic monologue, “Porphyria’s Lover,” the love-stricken frustrations of a nameless speaker end in a passionate, annihilating response to society’s scrutiny towards human sensuality. Cleverly juxtaposing Porphyria’s innocent femininity and her sexual transgression, Browning succeeds in displaying society’s contradictory embrace of morality next...
The Insanity of Blindness: the Narrators in Browning’s “porphyria’s Lover” and “soliloquy of the Spanish Cloister”
With “Porphyria’s Lover” and “Soliloquy of the Spanish Cloister,” Browning provides two dramatic monologues of madmen in which the narrator’s sheer ignorance of his own insanity is a basic premise integral to the work. Throughout both these poems, the narrator is consistently unaware of the...
Individual Against Society in a Doll’s House and Porphyria’s Lover
Browning’s dramatic monologues Porphyria’s Lover and My Last Duchess critique Victorian society’s restrictive patriarchal values which suppressed a female’s endeavors for individualism. Meanwhile, Ibsen’s play A Doll’s House condemns the pretense of an idealistic marriage within a social hierarchy through his female protagonist, Nora. Both...
Topics
Sociology, Gender role, Woman, Victorian era, Social class, Patriarchy, Matriarchy, Society, Feminism, Misogyny
Jealousy Revealed in Robert Browning’s “the Laboratory”
Jealousy, a simple emotion that can lead people to do things impulsively, and even lead them beyond the boundaries of sanity. In Robert Browning’s dramatic monologue poem “The Laboratory”, the poet portrays a woman who has been betrayed in a relationship with the man she...
Hatred in Robert Browning’s Soliloquy of the Spanish Cloister
Poetry can often be described as “painting with words.” It is a poet’s attempt to give linguistic form to thoughts and emotions, to create vivid imagery with only a minimum of language, achieved by any number of creative methods. In the lyric poem “Soliloquy of...
Discussion of the Bishop Orders His Tomb at Saint Praxed’s Church, Soliloquy of the Spanish Cloister and Confessions
Robert Browning ubiquitous examination of religious authority and its shortcomings becomes apparent within the very title of The Bishop Orders His Tomb at Saint Praxed’s Church. The religious reference to Saint Praxed carries ironic connotations, as whilst Saint Praxed herself was chaste, the monologist subverts...
Tortured Knights: Eliot, Byron, and Browning
Though they come from the shores of different eras and the minds of different authors, the protagonists of Byron’s “Childe Harold’s Pilgrimage,” Browning’s “Childe Roland to the Dark Tower Came,” and T.S. Eliot’s “The Love Song of J. Alfred Prufrock” are all knights in their...
“her Darling One Wish Would Be Heard”: How Dramatic Monologue Illustrates Distorted Rationality in “porphyria’s Lover” and “my Last Duchess”
Of the consequences of maintaining an obsessive nature, its ability to cloud rational judgements and encourage humanity to surrender to his darkest, innermost impulses serves as one of its most tragic aspects. Robert Browning explores this concept through his poems “Porphyria’s Lover” and “My Last...
Love and Its Corruption: Never the Time and the Place, Porphyria’s Lover and Andrea Del Sarto
In both Porphyria’s Lover and Andrea del Sarto, Robert Browning explores the notions of love and its capacity to corrupt an individual’s character and potential through his signature diegetic form; the dramatic monologue. While the form of these two poems is based around an implied...
Where Are the Women?
The dramatic monologue form used by both Robert Browning and Matthew Arnold in their poems My Last Duchess and The Forsaken Merman, respectively, serves to comment upon the condition of a woman without physically introducing a female into the scene. Despite both poems taking place...
Life for Love in Browning’s Poetry: a Fair Trade?
Robert Browning wrote his poetry during the British Industrial Revolution, a tumultuous time in which society was going through major cultural and lifestyle changes. The modernization of England led to the distribution of newspapers and other literature that thrived on the scandals of others. This...
God as the Quiet in “caliban Upon Setebos”
The nature of God has been a controversial subject for writers throughout the centuries. In the poem “Caliban upon Setebos,” Robert Browning explores the relationship between deities and their subjects through the voice of Caliban, a brutish monster-servant adopted from Shakespeare’s Tempest. Though the cruel...
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