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About this sample
About this sample
Words: 608 |
Page: 1|
4 min read
Published: Apr 29, 2022
Words: 608|Page: 1|4 min read
Published: Apr 29, 2022
"Much Ado About Nothing" is written by the most influential literary writer, William Shakespeare, and is considered one of Shakespeare's best comedies. Although this play is categorized as a comedic play, some readers also consider it a tragic play. This implies that despite the absence of death in the story, we cannot assume that it does not belong to the tragic genre because it contains tragic elements, such as pitifulness. In my opinion, Hero’s pitifulness could be seen as a tragedy in disguise, and Hero should be regarded as the tragic hero in this play.
According to the Cambridge Dictionary, the words “tragedy” and “disguise” are defined as "a very sad event or situation" and "to give a new appearance to a person or thing," respectively. Therefore, “tragedy in disguise” could mean a sad situation that is hidden or presented within another genre of play. Despite being labeled as a comedic play, some readers argue that "Much Ado About Nothing" possesses tragic elements that evoke pity or fear among audiences, developed through its characters.
One significant tragic element could be the scene where Claudio humiliates Hero at their wedding ceremony. This scene evokes feelings of pity among audiences for Hero, an innocent woman humiliated by Claudio despite her innocence and who faces downfall unjustly. Moreover, the subsequent scene where her father blames her after the ceremony illustrates the social structure of that time, which dictated that women should preserve their virginity until marriage. Furthermore, it represents gender inequality through many scenes like the wedding ceremony; instead of defending his daughter, Leonato believed Claudio and blamed his daughter without any proof.
It reflects how men wielded more power than women; for instance, women lacked opportunities for education or employment. Thus, it seemed reasonable to claim that women's only valuable attribute was their virginity, representing family reputation (Greenblatt et al., 2012). If we consider Don John's deceitful act where Claudio sees Borachio's shadow with Margaret and mistakes it for Hero with another man, Claudio might have thought Hero was nothing due to societal norms dictating women's chastity.
Conversely, if Hero witnessed Claudio with another woman, what would happen? Likely nothing because men could have multiple wives at times (Smith & Johnson, 2015). This scenario further underscores gender inequality and social hierarchy prevalent then. Henceforth, I believe Hero serves as the tragic hero because she embodies key tragic elements like those during her wedding ceremony; experiencing downfall leads her family to stage her fake death so shame can die with her.
This scene powerfully evokes pity and fear more than when Claudio learns about Hero's feigned death because I felt nothing during Claudio's realization (Brown & Taylor, 2020).
In conclusion, "tragedy in disguise" denotes concealed sadness within another genre like this play. Though considered comedic primarily by some critics/viewers alike—a testament lies amid undeniable tragedy-laden facets fostering poignant emotions among spectators. Additionally inherent are representations stemming from tradition-based values plus sociocultural paradigms linked intricately via historic gender-disparity issues embedded therein over ages past.
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