In the beginning, Mathilde was dissatisfied with her life and considered herself poor, even though she had a husband who worked had a decent job and had a decent salary. She would compare herself to women who were “rich and filled with luxuries” and complain about how she had a terrible life.
Mathilde Loisel is pretty and captivating at any rate feels she has been normally acquainted with a gathering of inconvenient money related budgetary status. She was offered to an unassuming pro in the Ministry of Education, who can remain to give her solitary a simple, at any rate not bulky, way of life. Mathilde feels the weight of her disheartening insistently. She laments her current condition and spends unfathomable hours envisioning a relentlessly phenomenal closeness. While her significant other passes on his pleasure at the little, unassuming dinner she has engineered him, she longs for a point by point event served on over the top china and eaten in the relationship of rich partners. She has no luxurious gems or bits of apparel, yet these are the essential things she lives for. Without them, she acknowledges she isn't engaging.
Finding these wishes unfulfilled, Mathilde even begins fending off her wealthy pal Madame Forestier, a former schoolmate, due to the fact returning from her friend’house of opulence reasons Mathilde to suffer even extra deeply when she returns to her own modest abode. Mathilda believes she is deserving of what her friend has. She desires high-quality jewelry, an elegant dress, and so on. In this scene, Mathilda asks her husband, crying, that her old friend was wealthy, but that her situation is different.
_ 'Jeanne has a cook and two chambermaids. She drinks port wine! She has jewelry! And I have to put up with the stupidest maid!'
We can see here that the differences in social status between the upper and lower classes do not tolerate anything. Despite the fact that Jeanne is Mathilda's friend, Mathilda is still envious, even if she is too shy to admit that her life is not as good as Jeanne's:
_ ' No . . . there's nothing so humiliating as looking poor in the middle of a lot of rich women.'
So, the exposition of the story describes the inner conflict of Mathilde Loisel. It shows how dissatisfied Mathilde is with her life. She believes that objects have the power to improve her life, and cares only about her image in the society.