Analysis of Wassily Kandinsky Artwork Improvisation 31 (sea Battle)

For this review I will be talking about the work of art by Wassily Kandinsky called Improvisation 31 (Sea Battle). This work of art would be considered an abstract piece. The title "Improvisation" alludes to a progression of works that Kandinsky painted somewhere in the range of 1909 and 1913 which was, as indicated by the craftsman, "a largely unconscious, spontaneous expression of inner character, non-material nature." Although the undefined shapes and beautiful washes of paint in Improvisation 31 (Sea Battle) may at first show up altogether theoretical, they frame various unmistakable pictures the craftsman concocted to speak to his frequently scriptural topic.

The focal theme of Improvisation 31 (Sea Battle) is a couple of cruising ships secured battle, their tall poles showing up as thin dark lines. Guns impact as the boats are hurled upon violent waves, and, at the upper left, a city of white towers shows up very nearly toppling. Kandinsky's subject, found in some of the Improvisations, was most likely motivated by the prophetically calamitous symbolism of the Book of Revelations. Despite the fact that this work was painted on the eve of the First World War, Kandinsky denied that his artworks alluded to a particular war yet rather to "an unpleasant battle . . . going ahead in the profound air." Kandinsky, who intensely trusted that humankind remained on the very edge of another otherworldly period, admitted that craftsmanship could disjoin human connection to the material world and introduce the new age.

Mr. Wassily Kandinsky was born on December 16th, 1866 in Moscow, Russia to a loving family of a mother and a businessman father. Since he grew up during the First World War he experienced many hardships towards his works of art and while the Nazis ruled Europe many of his paintings were deemed to be degenerate. With this many of his works of art were destroyed and never displayed for people to see. He painted many different works of art throughout his life and stuck by his beliefs up until his death on December 13th, 1944 at the age of 77 in Neuilly-sur-Seine, France.

Painting for Wassily Kandinsky was above all deeply spiritual. He wanted to convey profound spirituality and the depth of the human emotion through his works of art. Kandinsky says this chiefly with the shading, which ricochets and inflatables over the focal point of the photo, generally reduced at the upper corners, and inauspiciously smirched at the base right. There are likewise spreads, regardless of whether of paint or of blood. The activity is held firmly inside two in number rising diagonals, making a focal triangle that ascents ever higher. This rising accent gives a chivalrous vibe to the viciousness.

“Abstract art is art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colors, forms and gestural marks to achieve its effect.” The actual meaning of the word abstract is to separate or withdraw an item from another item. It is likewise connected to works of art that utilize frames, for example, geometric shapes or gestural imprints, which have no source at all to the outside visual reality. A few artists of this 'unadulterated' reflection have favored the terms, for example, concrete art or non-objective art, however practically speaking the word theoretical is utilized no matter how you look at it and the qualification between the two isn't constantly self-evident.