By clicking “Check Writers’ Offers”, you agree to our terms of service and privacy policy. We’ll occasionally send you promo and account related email
No need to pay just yet!
About this sample
About this sample
Words: 534 |
Page: 1|
3 min read
Updated: 16 November, 2024
Words: 534|Page: 1|3 min read
Updated: 16 November, 2024
During both the time when Claude Monet was alive and after his death, his work has evoked a wide range of opinions from different audiences. Some have been positive, while others have been critical. This is largely due to the fact that during the time of his original works, Impressionism was still frowned upon. The prevailing art movement was Realism, and artists were expected to adhere to its standards. Monet, however, defied societal expectations and painted for the love of art and the peaceful emotions his works evoked.
Kathryn Hughes (2016) from The Guardian describes the Grande Décoration as "serene" but also notes that they might be considered "clammy and uncanny." This is an example of one kind of audience. Hughes is among many who find Claude Monet’s artworks to be bizarre and uncomfortable. This discomfort stems from Monet's choppy brush stroke technique and the seemingly rushed execution of his paintings. Additionally, the colors in his works often blend together more than is typical in other paintings, a phenomenon attributed to cataracts in Monet's eyes.
Although some find Monet's paintings uncomfortable, there are also those who do not appreciate the art for what it is. When Impressionism first emerged, Monet's early works were criticized by Louis Leroy, who commented, "They look like unfinished sketches and not real artworks" (Leroy, 1874). This reflects the prevailing opinion of the time, when Realism was the dominant and most appreciated style. As a result, Monet's paintings were not always well-received.
Despite the criticism, many people adore Monet’s works. Navdeep Dhillon is an example of a viewer who fell in love with Monet's "Bridge Over a Pond of Waterlilies." She described it as "mesmerizing" and "magical," highlighting the emotional impact the painting had on her. Dhillon's review persuades readers to experience the painting firsthand, emphasizing its unique ability to evoke feelings of peace and harmony.
In 1996, only 70 years after Monet's passing, an exhibition review by Charles Stuckey celebrated Monet as "one of the greatest artists of all time" (Stuckey, 1996). This admiration underscores the lasting impact Monet has had on art and culture. His works continue to inspire and captivate audiences around the world.
Overall, there are diverse points of view and opinions regarding Claude Monet and the Impressionist movement. While some opinions are positive and appreciative, others are critical and confused. Regardless of the reaction, Monet’s artworks have left a significant impact on all who experience them, highlighting the enduring power of his artistic legacy.
Hughes, K. (2016). The Guardian. Retrieved from https://www.theguardian.com
Leroy, L. (1874). Le Charivari. Retrieved from historical archives.
Stuckey, C. (1996). Exhibition Review. Art Journal, 55(3), 45-50.
Browse our vast selection of original essay samples, each expertly formatted and styled