Death in Lord of The Flies

Lord of the Flies, written by William Golding, explores the dark and savage nature of humanity through the experiences of a group of young boys stranded on a deserted island. Throughout the novel, death plays a significant role, highlighting the destructive consequences of the boys' descent into savagery. This essay will examine the various deaths that occur in the text, analyzing their implications and shedding light on the broader theme of the inherent evil present within human beings.

The Death of Piggy

One of the most notable deaths in Lord of the Flies is that of Piggy. Piggy, a rational and intelligent boy, serves as a symbol of civilization and order on the island. However, his death marks the point of no return for the boys, as they fully embrace their savage instincts. When Piggy is killed by a boulder pushed by Roger, it represents the triumph of chaos over reason. This event demonstrates the boys' complete abandonment of societal norms and the descent into anarchy.

Moreover, Piggy's death carries a deeper significance in terms of power dynamics. As the boys become more savage, they also become more inclined to exert dominance and control over one another. Piggy's murder is a result of Jack's desire to eliminate any opposition and establish his authority. This highlights the destructive nature of power and the lengths individuals are willing to go to maintain it.

The Deaths of Simon and the Beast

The deaths of Simon and the perceived "beast" are closely intertwined and reveal the boys' growing detachment from reality. Simon, a character who possesses a deep understanding of human nature and the true nature of the beast, becomes a victim of the boys' collective hysteria. Mistaken for the beast during a frenzied dance, Simon is brutally murdered by the boys. This act of violence signifies the loss of morality and the darkness that resides within each individual.

Furthermore, the boys' mistaken perception of the beast reflects their descent into savagery. They project their own inner fears and desires onto the imagined creature, feeding into their growing madness. The deaths of Simon and the beast, therefore, serve as a powerful symbol of the destructive consequences of unchecked fear and paranoia.

The Death of Roger and the Implications of Sadism

Another death in Lord of the Flies is that of Roger, who represents the embodiment of sadism and cruelty. Throughout the novel, Roger consistently demonstrates his capacity for violence, culminating in the murder of Piggy. His death, however, occurs during the final confrontation between the boys, as they are rescued by a naval officer. This juxtaposition of Roger's death with the arrival of authority highlights the inherent evil that exists within society.

Roger's sadistic nature is a direct result of the absence of consequences and societal restraints on the island. The isolated and lawless environment allows him to indulge in his darkest impulses without fear of punishment. His death, therefore, serves as a reminder of the potential for evil that lies within every individual when removed from the constraints of civilization.

Conclusion

In conclusion, the deaths in Lord of the Flies serve as powerful symbols of the destructive nature of humanity. Piggy's death represents the triumph of chaos over reason and the abuse of power. The deaths of Simon and the beast illustrate the loss of morality and the consequences of unchecked fear. Finally, Roger's death highlights the inherent evil that exists within society when societal restraints are removed. Through these deaths, William Golding portrays the dark and savage side of human nature and the potential for evil that resides within each individual.

It is important to reflect on these deaths and the themes they represent, as they provide valuable insights into the human condition. By exploring the darkness within ourselves, we can strive to prevent the descent into savagery and maintain the principles of civilization.

Bibliography

Golding, William. Lord of the Flies. Faber and Faber, 1954.