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About this sample
About this sample
Words: 523 |
Page: 1|
3 min read
Published: Mar 8, 2024
Words: 523|Page: 1|3 min read
Published: Mar 8, 2024
Death is an inevitable certainty that everyone must face. However, for the residents of a Brazilian shantytown, death is an integral part of their daily lives. Nancy Scheper-Hughes' "Death Without Weeping: The Violence of Everyday Life in Brazil" is an anthropological work that exposes the brutality and tragedy hidden within the Brazilian poverty-stricken community, where mothers seem to endure high rates of infant mortality with stoicism and detachment.
The book paints a vivid picture of life in the favelas, where opportunities are scarce and poverty is rampant. In this world, death is a regular occurrence and mourning can often be seen as a luxury. For the mothers in the favelas, infant mortality rates are heartbreakingly high, and the sight of infants dying is a common occurrence. Scheper-Hughes describes the mothers' ability to detach and emotionally disconnect from their children as a coping mechanism to deal with the loss and pain of multiple infant deaths.
The author also delves into the unique cultural beliefs and attitudes towards death in the favelas. The residents do not see death as a definitive endpoint but rather a beginning of a journey of the soul. In this context, death is not always mourned, and the deceased may be seen as having been released from their earthly bonds. The community's acceptance of death enables it to cope with the constant and overwhelming presence of death in their lives.
However, as the book unfolds, it is clear that the violence and desperation of poverty in the favelas and the cultural acceptance of death has created a deeper level of emotional trauma and detachment. Mothers become numb to the tragedy and are indifferent to the loss of their children. Scheper-Hughes argues that society itself has become anesthetized to the suffering and deaths of infants and children in the favelas. This is seen as a form of culture-bound personality disorder. The detachment that mothers practice in response to the death of their infants is not only a coping mechanism but also a reflection of a society that is beset by profound poverty, inequality, and violence.
The book not only provides an insight into the favelas of Brazil, but it also sheds light on the complex social structures and economic policies that created the poverty-stricken environment. Scheper-Hughes argues that the power structures in Brazil have created a system in which the poor are exposed to severe poverty and violence. In this context, death without weeping is not only a cultural trait; it is a reflection of the wider social, political, and economic realities of Brazilian society.
In conclusion, Nancy Scheper-Hughes' "Death Without Weeping" is an important and poignant work that exposes the realities of life in Brazilian shantytowns and the ensuing emotional trauma that accompanies them. Her work is critical in bringing to light the complexities of poverty and violence, and how they impact the social and emotional well-being of individuals and communities. The book is a stark reminder that death without weeping is not just a cultural phenomenon, but a reflection of a much deeper societal issue.
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