941 words | 2 Pages
In the Gothic novel Dracula, Bram Stoker largely presents good and evil in stark contrast in a very simple manner. This perhaps mirrors Victorian views of good and evil as opposed yet inextricable, a strict view of right and wrong in a religious sense. But...
1688 words | 3 Pages
In the first fifteen chapters of Bram Stoker’s Dracula¸ the author examines and subtly comments on the role of women in Victorian England through the actions and words of Mina and Lucy. In particular, evidence from the passage that appears on pages 164 through 167...
1381 words | 3 Pages
Bram Stoker’s novel Dracula, written in 1897 during the Victorian era depicts and delves through the historical context of what society was like in the past. His extraordinary piece places a strong emphasis on sexuality by contrasting it with the conventional and stereotypical views towards...
1813 words | 4 Pages
The rise of British Imperialism during the 1800’s created a new sense empowerment among English citizens and redefined British culture in the Victorian Era. During this time, British imperialists valued personal lineage and emphasized the importance of protecting one’s ancestral purity through rigid social customs...
5237 words | 11 Pages
Within the pages of Bram Stoker’s Dracula, the author explores concepts of love, darkness, and sexuality as well as the theme of good versus evil. The most powerful theme surrounding the infamous vampire, however, is that of mortality. Death and the possibility of life after...
1411 words | 3 Pages
This chapter from the novel ‘Dracula’ by Bram Stoker includes an abundance of conventions typical of the Gothic genre, primarily employed here through Stoker’s characterisation of Johnathan Harker, Count Dracula and the three seductive women. Published in the late 19th Century, at a time when...
1491 words | 3 Pages
In Bram Stoker’s Dracula, the title character is omnipresent. To the protagonists of the novel, the difficulty of escaping his power and ultimately defeating him is often overwhelming because he is always with them in some way, shape, or form. Throughout the novel, there are...
2858 words | 6 Pages
“Mere “modernity” cannot kill.” The year is 1897, and European culture is changing. Skepticism about both Christianity and the introduction of Darwinism into common thought is current, and the concept of what we now call “feminism” is planting its roots, apparent in the rise and...
1743 words | 4 Pages
The issue of social class and its effects upon society in Victorian-era Europe is a theme central to Bram Stoker’s novel Dracula. On the surface, the novel seems to be a story of a battle between good and evil; upon further analysis, it could be...
1490 words | 3 Pages
The Victorian Era produced a community organized strictly into stratified classes and social positions. Men dominated this cultural structure, with women acting as their inferior counterparts. Women were bound to an expectation of servitude, viewed as lesser-beings to the strong, intelligent men, and required to...
1340 words | 3 Pages
The novel Dracula was set on Transylvania and England on the end of the 19th century. The period in time of rapid transition that saw a growth of modernization. From the rural eastern Europe to Victorian England to industrial revolution. The scientific findings and revolutionizing...
1463 words | 3 Pages
Bram Stoker uses the characters of Lucy Westenra and Mina Harker in his novel Dracula to explore the essential attributes of a “New Woman” in Victorian England. Written during the late nineteenth century, this novel emerged out of a time where the long held traditions...
2088 words | 4 Pages
Gothic literature uses gender to discuss social norms and explore stereotypes while commenting on whether gender stereotypes should be upheld or disrupted in society. In this essay, I will compare two female characters and two male characters in Gothic texts to establish how gender stereotypes...
2809 words | 6 Pages
The title character in Bram Stoker’s “Dracula” is a sexually perplexing figure. Nietzche wrote of a creative being called the “berman”, or “superman”. Men who overcome their handicaps and identify with God are potential supermen; as models of this concept, Nietzche named Socrates, Jesus, Leonardo...
1926 words | 4 Pages
The opening chapters of Dracula by Bram Stoker set the scene atmospherically and build the feeling of fear steadily through a combination of themes which were feared in Victorian times. Gothic literature was a new and exciting concept for the stoic Victorians, who weren’t used...
921 words | 2 Pages
Dracula by Bram Stoker is a gothic novel detailing the story of the title character Dracula’s attempt to spread the undead curse from Transylvania to England and find new blood as well as his battle against a small group of men and women otherwise referred...
2533 words | 6 Pages
The Vampire; an undead being that feeds on the blood of the living. With gaunt eyes, a pale complexion, florid lips and most noticeably sharp, animal-like teeth, the vampire is a legend that has been around since the 18th century. However, the notion of the...
846 words | 2 Pages
All literature is a reflection of the culture it was composed as well as representative of the values important to that society. ‘The Other’ is a common theme throughout literature varying from time periods and cultures depending on their definition of it. The Victorian Era...
1450 words | 3 Pages
Bram Stoker´s Dracula holds several messages and symbols; the fear of the unknown and to the many destabilizing changes occurring in Great Britain, including the New Women. However, the religious language and symbology are quite relevant and impossible to omit. The antagonist is seen as...
905 words | 2 Pages
The economic instability which fueled the radical political divisions in America during the 1920s more than set the stage for Universal Studios’ rise to Hollywood powerhouse as the home of horror and monsters; it constructed that stage and defined the message that audiences would receive....
1937 words | 4 Pages
The Gothic tradition has often been a device to warn about the consequences of transgressing accepted beliefs of the time; ‘Dracula’ – a gothic novel published in 1887 – is seemingly subjective of this in its presentation of female sexuality. Society’s advancement in the understanding...
1654 words | 4 Pages
The novel Dracula was written by Bram Stoker, it is a novel about a world called Transylvania and this is where the Count and other vampires reside. The characters this paper will be exploring in more depth with respect to gender roles are Mina Murray...
3553 words | 8 Pages
In periods of cultural insecurity, when there are fears of regression and degeneration, the longing for strict border controls around the definition of gender, as well as race, class, and nationality, becomes especially intense. If the different races can be kept in their places, if...
881 words | 2 Pages
Bram Stoker’s 1897 novel Dracula relies strongly on the construction and deconstruction of binaries. Arguably the most prevalent and important of the various binaries are good vs. evil and dark vs. light. At the beginning of the novel, Stoker establishes a clean cut line between...
1610 words | 3 Pages
Doctor Abraham Van Helsing is an intriguing and somewhat problematic character on several levels. According to critic Martin Willis the introduction of Van Helsing represents a new understanding of disease and infection. In Victorian times it was still common for people to think of disease...
2398 words | 5 Pages
In his novel Dracula, Bram Stoker’s characters are deeply disturbed by the existence of the vampire. The notion of a creature that is both living and dead challenges their sanity by forcing them to question those things which they had previously considered to be obvious...
950 words | 2 Pages
Bram Stoker’s revolutionary novel Dracula gave way to the splendor of modernism. Displaying many ground breaking modernist techniques, Dracula is especially reliant on the use of a meta-textual narrative. Stoker introduces his novel with a paragraph stating that how “these papers have been placed in...
1232 words | 2 Pages
The fantastic lasts only as long as a certain hesitation: a hesitation common to reader and character, who must decide whether or not what they perceive derives from “reality” as it exists in the common opinion. At the story’s end, the reader makes a decision...
508 words | 1 Page
History is sometimes told through stories and this is a fact but sometimes, these stories are not a hundred percent loyal to what really happened in history. This relationship between “history” and “story” is going to be the base for this work because I have...
2651 words | 6 Pages
The era of industrialization ushered in new ways of disseminating and creating art. Along with technological innovation come the anxious reservations of aesthetic purists. These reservations stem from wariness about the dehumanizing effect of mechanical reproduction and a sense of powerlessness over the work of...