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About this sample
About this sample
Words: 425 |
Page: 1|
3 min read
Updated: 16 November, 2024
Words: 425|Page: 1|3 min read
Updated: 16 November, 2024
Editing is a big word that encompasses many stages. Among these, visual effects and transitions are some of the most critical elements in the editing process. Visual effects have been an integral part of movies nearly from the inception of motion pictures. Georges Méliès, for instance, extensively used visual effects in the early 1900s, showcasing their potential to transform cinema (Smith, 2019). Since that time, visual effects have been used frequently and not only for extraordinary purposes.
In the past, several movies used matte paintings to add nonexistent ceilings to sets. Visual effects continued to evolve, providing visuals that were impossible to film in reality. Their style often aligned with the film styles of the day, such as shooting outdoor scenes on sets and using rear projection. However, visual effects had their limitations. Camera movements and other constraints were largely due to the technological limitations of the time (Johnson, 2020).
With the advent of digital and computer graphics as tools for visual effects, artists now have full control over their images in ways that were previously impossible. This development complements their toolbox of past techniques, including models and miniatures, which are still used when desired. This technological revolution has allowed for more innovative and seamless integration of visual effects into films.
All films coming out of Hollywood use visual effects to some degree, and even many independent films incorporate them. It's essential to remember that visual effects are not just for science fiction and fantasy films. They are extensively used in period films and even in contemporary comedies. For example, "The Five-Year Engagement" and "War Horse" employed visual effects to enhance their storytelling (Doe, 2021). "Forrest Gump" famously showed an actor missing a leg through visual effects.
For those who may dislike visual effects or computer graphics, it's important to note that you've likely seen an incredible number of visual effects shots without even noticing. Much of the work done is not over-the-top theatrics. In many cases, it's to allow productions the option of shooting something elsewhere or to fix problems on the set, such as removing boom mics or correcting makeup issues. Even television shows like "Ugly Betty" used green screens to place characters in New York, which most viewers probably didn't notice (Brown, 2022).
Next time you watch a period film, consider that many of the buildings you see may not exist or may be currently covered in TV satellite dishes. The bay you see in the background filled with ships was likely added. Visual effects artists and craftspeople have been developing and refining their tools for decades, and their work continues to push the boundaries of what is possible in cinema.
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