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Growing up is not an easy task for many children especially girls because they are voiceless, forgotten, and dehumanized. Given many challenges faced by women, this essay discusses the challenges faced by the narrator in the short story; We came all the way from Cuba so you could dress like this which is written by Obejas and the actions she takes to compromise the challenges.
This is a short story, which shows how women are marginalized in the society. For many years, most sexual and social abnormality has been marginalized so that the dominant family story either completely lacked or strove to punish or hide queer elements.This narrative is anti-imperialistic and subversive acts that take place the silencing of the peculiar family. (Cooper,2003) The main character in this story is a political radicle woman who denied to hide either her political or sexual relationships within the dominion of the family, despite heavy cultural proscriptions against this. Obejas who is the author of the narrative juxtaposes images of national and ancestral exile that force a recognition of queer oppression as part of the appropriation of a family model in nation-building. A person only has to look at who is blocking whom from inclusion to get a clear alignment of the dominant hierarchies, whether political or male-controlled as well as heterosexist. (Obejas,1994) The expression of violence designed to strengthen the status quo or the conservative straight states are very common in the real-life situation and are included in the Obejas narrative. In this paper, the main thrust of the story is neither critical of social norms nor faultfinding in the context of the multifaceted political reality. Over the course of the non-linear narration, an abrupt break between the traditional and the revolutionary is not seen. Youths and queer are not marginalized, they cannot exist or be counted outside the family narrative. The close study of this narrative discloses a queering element that waves through the entire family history,a pre-existing grain of sand that annoys and finally allows the formation of the pearl ( Obejas,1994)
We came all the way from Cuba so that you could dress like this?’ is the final story in a collection by the same name, the first book was published by the Cuban-American author Achy Obejas. Marcus Embry notes this work is a remarkable collection of short stories or set pieces that together detail a young Cubana’s gradual intellectual, emotional, and sexual awakening, maturation.The main focus of Obejas’s is the principal character’s restating of her arrival as a youth girl to the United States of America. The family of the main character had joined the political-economic flight from socialist Cuba. Intermingled among images of that key moment, the main character narrates scraps of her young adult life, creating connection s between exile, family and her development of individual and sexual identity.
In conclusion, Obejas the author of the short story gets deeper into the minds of the marginalized and neglected people in the society with the idea of giving them their own freedom of communication and expression. The voice of this people is compromised by individual fiction and memories. According to the author of this book, the people who are being discussed are relegated up to the extent of working just to survive. The source supports the working thesis because it shows the reader the sour realization of growing up, the time when kids realize their experiences, how they got where they are and why other people dislike them.
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