"Resolution and Independence" and "Lines Written Above Tintern Abbey" respectively illustrate the difference between a young and nave poet-wanderer to a traveler who has found wisdom through time and nature. Furthermore, the two poems are also able to elucidate dissimilar types of acquired wisdom through...
The turn of the 19th century was a morbid, dark time period: death was a common visitor, as plagues and diseases diminished the children, and the French Revolution and Napoleonic wars diminished the overall population. In response to such loss, humans became relegated to a...
In an era driven by rationalism and logic, the poets and authors of the Romantic era sought to defend what they understood as a more natural system of values. Among the themes prevalent throughout the era, the theme of the imagination’s power is definitely central,...
William Wordsworth was a Romatic English poet with a vast body of work, and Naturalism abounds in nearly all of his poetry. Nature is a major theme in Wordsworth’s famous works such as, “I Wandered Lonely as a Cloud” and “It is a Beauteous Evening,...
Although scholars classify both William Wordsworth and William Blake as “romantic poets”, their writing styles and individual perspectives differ tremendously. Wordsworth, though he is not so blind as to ignore the strife that is prevalent in everyday society, tends to focus on more positive aspects...
A Romantic poet, Wordsworth often draws from nature to describe his subjects or his narrator’s outlook on the world. In his poem “Resolution and Independence,” which employs twenty septets with an ababcc rhyme scheme, Wordsworth expresses his concerns and anxiety with a topic that can...
Wordsworth’s “I travelled among unknown men” appears at first to be a tribute to a woman he loved and a poem of patriotism. It is initially unclear how Lucy and England are similar beyond being things that are ultimately important to him. Through further interpretations,...
For Wordsworth, it is the human imagination and potential to not just observe, but comprehend, nature that ascribes the sublime meaning. Without human cognizance, the objects and elements of the sublime are just physical tokens. Man’s finite existence and the sublime’s apparent totality appear in...
In their Lyrical Ballads, Samuel Taylor Coleridge and William Wordsworth experimented with traditional forms by interpreting them in a fresh manner. Although they garnered little attention upon their publication, the Ballads stepped outside of the established boundaries concerning not only meter and form but subject...
Tony Harrison’s “A Cold Coming,” William Wordsworth’s “Lines Composed a Few Miles Above Tintern Abbey,” Emily Bronte’s Wuthering Heights and George Orwell’s 1984 each display distinct sensibilities that reflect the time from which they emerged. Modernist manifestos differentiate the Modernist movement from previous ones through...
Romantic literature is deeply concerned with manifestations and attainment of the sublime. The notion itself asserts gender upon both subject and object, and pervades any attempt to gain historical knowledge. This fetishization of the sublime, however does not prevent the concept from being subverted consciously...
Wordsworth’s “A Slumber Did My Spirit Seal” is a short and powerful poem that centers around the loss of someone close to the speaker. The poem is composed of two four line stanzas, which both follow a simple ABAB rhyme scheme and are based on...
The first volume of William Wordsworth’s Lyrical Ballads (1798) was published, as Wordsworth states in Preface to Lyrical Ballads (1802), “…as an experiment.” (482). The introduction to Lyrical Ballads by William Richey and Daniel Robinson suggests that the experiment contested the valued literature of the...
Herman Melville’s Typee: A Peep at Polynesian Life is both a compelling illusory story and a concerted effort to moderate the imperialist mindset of its readers. In fact, Typee is a narrative that doubles as a manifesto, a collection of Melville’s own autobiographical observations that...
In the stichic passage from William Wordsworth’s autobiographical poem The Prelude, the speaker, who represents Wordsworth himself, encounters unfamiliar aspects of the natural world. The passage is a bildungsroman in verse, a coming-of-age poem that chronicles the psychological growth of the speaker. In the passage,...
Wordsworth said that ‘poetry is passion, it is the history or science of feeling’. In conjunction with Shelley’s quote, this is a bold statement to make. Not only does Wordsworth name poetry as the ‘science’ of emotion –creating an authorial sense of logic –but also...
In their article entitled “Me,” Andrew Bennett and Nicholas Royale assert that “Literature, like art more generally, has always been concerned with aspects of what can be called the… ‘not me’ or other,” (Bennett 129-130). Jean-Jacques Rousseau in his Confessions and William Wordsworth in his...
Writing on nineteenth-century London poetry, William Sharpe comments that ‘Regardless of shared reference to sublimity, fog, of Babylonian blindness, each poet’s London is different. Each time we read ‘London’ we have to begin again.’ For poets in the late eighteenth, and early nineteenth centuries, London...
The Silenus box is a “case carved like an ugly Silenus” that can be “opened to reveal beautiful, precious objects” (Erasmus 43, footnote). This box appears in Erasmus’ The Praise of Folly as a metaphor for the central claim in the novel, which is that...