In both My Last Duchess and Andrea del Sarto, Robert Browning explores the notions of love and its capacity to corrupt an individual’s character and potential through his signature diegetic form; the dramatic monologue. While the form of these two poems is based around an...
Of the consequences of maintaining an obsessive nature, its ability to cloud rational judgements and encourage humanity to surrender to his darkest, innermost impulses serves as one of its most tragic aspects. Robert Browning explores this concept through his poems “Porphyria’s Lover” and “My Last...
The theme of recognition plays an important role in Homer’s The Odyssey and Sophocles’ Oedipus the King. Two key recognition scenes are that between Odysseus and Penelope and that between Oedipus and Jocasta. Many differences can be found between the two, and although they are...
In describing the characters of Odysseus and Oedipus, Homer and Sophocles both avoid defining these men by typical physical characteristics such as stature or distinctive facial features. Instead, these authors focus on detailing specific bodily wounds that function as embodiments of each character’s identity. Parallel...
From the substantial body of work that has been examined in-depth during the course, one particular theme that has arisen several times is that of ‘courage in the face of adversity’, such that major characters are confronted with tremendous hurdles that they are expected, and...
Beowulf and Roland are two of the most well-known heroes found within literature. While many know their names and their stories few realize what it is that qualifies them as literary heroes and the ways in which their hero stories compare. Joseph Campbell in his...
The foundation text of English literature, titled Beowulf (meaning “man wolf” when translated into the modern language), presents readers with a hero named Beowulf who fights three different battles, each with its own monster. Beowulf’s first battle awaits him when he travels to present day...
Giorgio Bassani’s novel The Garden of the Finzi-Continis is told from the perspective of an unnamed speaker who is recalling his time spent with the Finzi-Contini family prior to the family members’ deaths in the Holocaust. This is an Edenic time, and one that the...
The Iliad and The Odyssey portray a hierarchical, stringently ordered society, ruled by powerful kings, followed by the masses and sanctioned by the gods. At the murder of Agamemnon, a complete breakdown of the Greek social, governmental, and religious systems occurs, throwing Greek civilization into...
In her debut novel Homegoing, Yaa Gyasi explores the concept of a home as a function of both family and community: if specific characters are to truly establish a sense of belonging within a region, they must have not only the support of a powerful...
Perhaps William Shakespeare is right: all the world may very well be a stage, with all the men and women being but mere players. What happens when, despite their exits and entrances, these actors play but one part? For lack of a complete character development,...
The manner in which amorphous female identities overlap and echo each other in Gawain and the Green Knight, The Wife of Bath’s Tale and La Morte D’Arthur may appear to represent the ambiguity of distinguishable female personalities in romances beyond their status as ideological representations...
The Middle Ages were marked by religious upheaval in Europe. Two new major world religions were coming to power: Islam and Christianity. The rapid success of Christianity led the Roman Catholic Church to become the dominant religious force in most of the western world, and...
The Wanderer is a poem that laments both the temporality of human life and the material world, posing existential questions that only appear to be answered in the comparatively short conclusion though appeal to the Christian God. In part because of this structural oddity, critical...
The poems The Seafarer and The Wanderer are both elegiac in nature: each speaker delivers a reflective monologue about their journey from the past they have lost to the solitary present they face, although there are limitations to the past’s disappearance, as it clearly lingers...
The Wanderer is a staple of Anglo-Saxon storytelling and has been recited over countless centuries to new audiences. The poem follows the story of a former warrior who is currently living a life of solitude. After the loss of his lord and kinsmen, the warrior...
The weather in “The Wanderer” is reflective of the author’s view of the world following his exile. Throughout the poem, weather is utilized in an effort to paint a picture as wretched and sorrowful as the persona’s view of life. As I read through the...
Beginning at the time of early settlements in the 5th century and spanning until 1150 A.D., the English language and that spoken and written by the Anglo-Saxons during this time is referred to as Old English or simply, Anglo-Saxon. The influence of Christianity on Anglo-Saxon...
Both Lord Alfred Tennyson’s dramatic monologue, “Ulysses,” and Ezra Pound’s 1912 translation of the Old English dramatic monologue “The Seafarer” depict a man’s musings about seaward journeys. Tennyson wrote “Ulysses” in the wake of his best friend Arthur Henry Hallam’s death. “The Seafarer” has traditionally...