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About this sample
About this sample
Words: 904 |
Pages: 2|
5 min read
Published: Sep 1, 2020
Words: 904|Pages: 2|5 min read
Published: Sep 1, 2020
The Hunger Games is the first in a three-part series of young adult novels. First published in September 2008, it has since been followed by Catching Fire and Mockingjay. The book has been recognized as an outstanding work of young adult fiction. The striking narrative, packed with memorable characters and propelled by relentless action, creates the kind of page-turning excitement that has characterized its runaway success.
The Hunger Games has been recognized for character development and engaging plot. It also has drawn attention for appealing to an audience far broader than that of young adults alone. It is an adventurous and timely allegory of class struggle and the desperate measures required for survival. With all the hype around both the book and the sister novel Catching Fire, it is easy to see that The Hunger Games stands out in the world of young adult literature. Although it is exciting, the novel entitled The Hunger Games is filled with complex plots, vivid descriptions, and tantalizing characters, all worthy of analysis. This essay is an attempt to delve deeper into these qualities. However, it is important to remember that as a matter of interpretation, the meaning of each of these components is relative. As a reader, always identify with the understanding that anyone else might have a different reading experience of the text, a point of view that might also be an outstanding interpretative one.
Published in 2008, 'The Hunger Games' was created in the late 2000s. The issues it addresses are fitting to that time. American youth were fully immersed in reality TV, obsessed with makeover shows. Against this backdrop, the real Hunger Games began—the invasions of Afghanistan and Iraq were still active in the quicksands of international geopolitics—and the book can in part be understood as a rebellion against a celebrity culture indifferent to human suffering, as so many dystopias are.
A dystopia is a corrupt, often totalitarian future world—the antonym of a utopia, or paradise. '-ia' comes from Greek and Latin and means 'land or place of.' So 'panem et circenses (games)' is also the official motto of dystopian societies. Dystopian literature can be a critique of contemporary society, often picking one evil and exaggerating it to satirical proportions, or a warning to a culture approaching dangerous territory. In the latter case, it might even anticipate world affairs long before they happen. 'The Hunger Games' takes place in the world of Panem, where society specializes in industries such as weapon manufacturing and luxury goods, openly exalting and rewarding people rich enough to slave and kill for 'the power of ratings' in the big reality show. The world of Panem is an easily plausible exaggeration of the United States and other Western nations, particularly Western and Eastern Europe. 'The Hunger Games' is powerful because it uses inspirations like the Roman Empire and American reality TV only as stepping stones to the larger truth that we can all see or at least feel.
In the exposition of 'The Hunger Games', the protagonist - who is also the narrator of the novel - is introduced. Katniss Everdeen, a girl who struggles to care for her family in the harsh post-apocalyptic world of Panem, shares her take on life and people with the reader. Her daunting circumstances are due to Panem’s Capitol, which metes out punishment for an unsuccessful rebellion through unrestrained corporal punishment and oppression. She develops two crucial relationships with the two most important boys in her life, Peeta and Gale. Events unfold that take Katniss to the Capitol, where she is exposed to citizens who live their lives in a dramatically different way compared to her own. The rising action of the story is instigated when Peeta and Katniss are taken from their homes and transported to the Capitol, where they will undergo training to become the next Tribute. The climax is the moment that the Hunger Games begin. The Tributes, Katniss and Peeta included, are released into an arena to fight against and eliminate each other. The Hunger Games are conducted by the Capitol as a form of punishment to those in the Districts who don’t have enough wealth or power to offer up children for the Games, essentially making it a sacrifice. As time progresses, Katniss struggles against not only the unbearably harsh conditions, violence, and danger, but also the faux unity that is forced upon her and the other Tributes. A series of twists unfold as Katniss discovers the motivation behind Peeta’s adoring behavior towards her. While rallying for the Capitol's downfall, Katniss and Peeta are both notified of a rule change that allows two victors in the Games; however, Katniss takes the nightlock pill that was once intended by the Gamemakers for both of their suicides.
The story takes place in an apocalyptic era where the world is divided into districts, mainly used for one role, and the Capitol, a place with a glittering city and wealthy citizens using district people's goods. Once, districts rebelled against the Capitol, failing. As a consequence and to remember the rebellion, 24 participants, two randomly chosen from each district, are sent to a man-made TV show arena to fight to the death. The tributes fight either to gain admiration and better living conditions or to escape through alliances and using intelligence. A protagonist of the story, Katniss Everdeen, takes her sister's place as tribute in the Games, and through ruthless determination and skilled abilities, she survives landslides, fires, and enemies to win the 74th Hunger Games.
The 24 tributes' names are called, and each district's mayor draws two names from two separate bowls: those of male tributes and female tributes. District 12, Katniss Everdeen is picked as the female tribute, and Prim, her sister, scrambles to take her place. Katniss then leaves for the Games with the male tribute representative, Peeta Mellark. As tributes arrive in the Capitol, they are given ten days to impress the viewers of the nation. They do this by dying their skin, parading their fame in carriages, and showing their most impressive talents to the public. In this time, the tributes are given intensive training and interviews with a national television host.
A key theme in 'The Hunger Games' is the idea of survival. This overarching theme permeates the novel on both macro and micro levels of narrative. Power is another theme in 'The Hunger Games.' The society of the Hunger Games is one of stark inequality, perpetuated by the social strata of the wealthy citizens of Capitol and the abject impoverishment of the characters residing in the districts. The severity of economic inequality is also a part of the dystopian framework of 'The Hunger Games.' The dystopian dreamscape serves as a warning of a potential future, not only for the citizens of Panem but for our own society. Not only does 'The Hunger Games' show us how power perpetuates inequality, it also provides us with a view of the dangers of authoritarianism.
The use of symbolism is evident in the character of the Mockingjay as well as in the totems of different districts. The Mockingjay is a potent symbol because of the song, a song of human resistance and, at the same time, an exploration of morality. One final theme to explore in 'The Hunger Games' is friendship. Katniss struggles with conflicting loyalty and friendship to both Peeta and Gale. This is complicated by genuine feelings of love on the part of Gale, Katniss, and Peeta. Both male characters pursue genuine affection. A third level of friendship is solidarity and respect between Katniss and Rue. The depth of the Mayor's daughter's death serves to deepen the level of moral ambiguity associated with 'The Hunger Games.' It also underlines the disturbing aspect of children killing and dying for entertainment.
The Hunger Games has appeal beyond shock value. It is an incisive social commentary on a world built on exploitation, where psychological bondage enforces social rigidity. The members in the Capitol of Panem live in luxury. They are the consumers of the luxurious goods produced by the twelve coal domains of Panem. The life portrayed in the Capitol is a sharp contrast to the lives of those in the districts. In 'The Hunger Games,' life does not mean anything. The most significant aspect of "The Hunger Games" is the reality that it does not exist simply as a work of fiction, but as a transformation of the many shows we already have today into a dangerous, twisted, and corrupt system. All these themes of friendship, economic inequality, and morality undergird the dramatic action as the narrative unfolds. These themes are important because they stick with us once we have finished the novel or the film by providing bridges to cross in an examination of our own society. Do we also sacrifice individuals, nationalities, or groups to keep a rich and affluent life for ourselves? Above all, these aspects add an undercurrent of thought that allows the audience to appreciate the work as something more than simple entertainment.
The Hunger Games critiques many elements of society – reality television, societal inequality, political foul play, etc. But the most important theme it speaks to is the conflict between form and function – or, more clearly, individuality and conformity. In the Hunger Games, individuality wins out time and time again, and we find that human belief and action often earn a kind of freedom from environmental oppression. Not only are the moral and social consequences appealing to consider, but they are also profoundly applicable to social justice and individuality in today’s world.
The first idea presented by the book is that of sacrifice. Almost all of the characters within the Games, and even in the “games of society,” struggle with the morality behind sacrificing themselves over, or instead of, others. Regardless of the attitudes towards the Games and the competitors within it, all of the characters are concerned with the actions they must undertake in order to survive. This reflection in and of itself is a commentary on the brutal fates these children are subjected to. Likewise, it calls attention to the fact that these are just children who are being forced to compete. The current law in this society, regardless of its reason, almost objectively makes the ruling and upper classes cruel and uncaring. And while again undiscussed in the series, perhaps just as importantly, many of the lower districts are shown in a much different and less flattering light.
Katniss Everdeen is a strong, in-depth, and sometimes multi-dimensional character. Her character evolves and sheds its skin as the narrative progresses. She is a heroine, though almost a reluctant one, and deals with love, pain, and complicated relationships. President Snow is the clear villain of the series. He enjoys causing pain and controlling those around him. He uses the Hunger Games not only as a way to maintain control of society but also as a way of controlling Katniss. Peeta and Katniss together speak to the larger themes of love and pain in the novel. It also leads to the question of moral emptiness or moral anger.
When examining relationships in the book, one must also look to Gale. Not just to see where alliances may lie, but in examining his relationship with Katniss and potentially others, a look into society’s injustices and moral emptiness takes shape. Haymitch also holds his own as a way to understand the characters’ moral ambiguities and pain in the novel. He has lost past tributes and carries that suffering with him. The pain involved in the mini-series is also what gives Haymitch his stoic soberness. He has given up hope that the system might change. Effie is the embodiment, both physically and emotionally, of what happens when society is forced to care about something frivolous in the face of tragedies. Each time she is happy about something related to the games, it only underscores all the negatives. Because of simple contrasts in the series, such as Effie and Haymitch or Peeta and Gale, they are all that much more dynamic. Their conflicting emotions about Katniss, or what Katniss says and does, raise questions about their own motivations behind hostages, love, and duty.
The internal conflict within a character such as Katniss starts out as motivation and develops into the central theme of the story. If Katniss represents the drive of individual will to resist, this part of Snow embodies the power of political resistance. Snow is what Katniss could have become. He is the adult version of what he sees of himself in her: the careless, angry mockingjay. Snow prohibits Katniss from any true form of resistance because he cannot accept the existence of it in himself. He spent his entire life building a system of control, and he refused to believe that his society is anything less than utopian. The way that he deals with Katniss ultimately reveals everything about him. Though he publicly ordered her execution, he cannot even be in the same room with her. It is similar to how, though living in the Capitol, Katniss could never get along with anyone or make friends. This is, I think, what makes the story about much more than two characters struggling against each other, against the values of a totalitarian society. It also pits two characters, one adult and the other adolescent, against the respective values of a capitalist and reshaping, developing society. All of this is contained in the history of their confrontation. His justifications reveal a despair at the idea of any rebellion. Both it and his need to crush it strip him of any sort of identity or power, so fearful is he that nothing can truly be under his control. Katniss is indeed the symbol of everything he wants to keep from happening, and he tells her so. She represents a will to fight, a flame of hope, a burning person, none of which can long survive in Panem, nor should they according to him.
The Hunger Games made a significant impact on book publishing, especially on young adult literature. It helped fuel the recent dystopian trend in literature, and people began discussing its content in terms of female empowerment and as a critique of capitalism. Distributed in more than 20 million copies, it has been published in 26 languages. Its film adaptation had one of the best premieres and has grossed over 694.4 million. Today, the book is still associated with the recent dystopian young adult books, and its impact on the public and academic community would not go unnoticed. Additionally, the translation has marked the public's curiosity for other cultures' popular literary products and has introduced a broader international audience to the publishing world.
Since it has been around since 2008, this is evidenced by numerous accolades and rich media presence. The Hunger Games series has now been translated into 53 languages and has been released in over 70 countries, and this success is the subject of much debate. The Hunger Games series has become internationally recognized, especially because the third book sold 1.3 million preordered copies. Although two-thirds of this novel's commercial readership is older than 18, its story settings and dialogue echo the young adult environment and have inspired a lengthy list of merchandise and associated media. Some believe it sets a great example for other young adult fiction in terms of content, while others believe it encourages dangerous and disallowed behavior.
The Hunger Games is a gripping and irresistible read that effectively mirrors many parts of the world today: the Occupy Movement, the fight for a greater minimum wage, the racialization of poverty and life, a massive development in military technology without the generosity in financial aid toward the young, the homeless, and the desperate, and the ultimate toll on the weak, of marriage, and the cost of a child. All of these are calling out to be brought forth in the classroom. This book is bathed in the rhetoric of the 'game', of winning or eliminating 'the weaker players', and uniformly as a choice of 'life or death'.
Gender and the portrayal of media and technologies of visualization are also key. Some have complained that the storyline does not allow Katniss Everdeen to display enough of the full range of personal empowerment movements, perhaps particularly in comparison with the 'Harry Potter' role model, Hermione Granger. But, nonetheless, Everdeen is very clearly a 21st-century woman, independent, resilient, with a raucous male following which she alternately distrusts and admires; she would never have been threatened by some strange men carrying knives. She’s a strong character in the flesh.
The Hunger Games has developed into a cultural phenomenon with readers of all ages, inspiring many of our kids' guests to voice their views on the issues of inequality reflected in this prophetic world in countless classroom debates. This year the series made it into its own ground, permeating next year’s holiday cinema releases with a new installment. Many are also seen wearing and spotting the stylized braid of the protagonist in themed parties, on social media, and now in various celebrations everywhere. This phenomenon, its many discussions, and its debates are continuing, and that’s where this essay is at.
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