The Basics Of The Archaeology Of Stardom: [Essay Example], 439 words GradesFixer

Haven't found the right essay?

Get an expert to write your essay!


Professional writers and researchers


Sources and citation are provided


3 hour delivery

This essay has been submitted by a student. This is not an example of the work written by professional essay writers.

The Basics of the Archaeology of Stardom

Download Print

Pssst… we can write an original essay just for you.

Any subject. Any type of essay.

We’ll even meet a 3-hour deadline.

Get your price

121 writers online

Download PDF

Much of ancient Greek sculpture is known only through Roman copies, with these types now filtered for us through subsequent millennia of reception, particularly since the Renaissance, so it is fitting that we now view these classical forms through over a century of star bodies and other appropriations. The uncovering of these layers of reception is a work of cultural archaeology, looking through, past and beneath these forms to their precursors, and seeking to understand how these strata have been formed by their past use, but also shaped for the present. Stars are always designed for the present, but they are inevitably products of the past and bear its patination. This quality of `pastness’, to appropriate Jameson’s phrase, is rendered in numerous ways, and can be a matter of setting a star in a landscape where past cadences resonate with the raising of an arm, the turn of the head and an inclination to the contrapposto, like the historical poses, recalling sculptural Venuses and Apollos, that shape the celebrated bodies in the paintings of Sir Joshua Reynolds in the eighteenth century. Archaeology of stardom is a valuable and playful way of considering the multiple strata of star imagery and discourse and the way they engage present audiences with multiple overlapping references to the past.

Star images, most evidently those of earlier decades with an overtly `divinising’ function, find the star embodying the past, its icons, and a history of cultural and political appropriations, and yet contribute their distinct iteration to the iconographic process. Moreover, the process does not end with the death of the star, for example of Marilyn Monroe, for her image carries on performing through every appropriation, in stills, video or computer-generated imagery. Such appropriations are not passive, but deeply anchored into the work she, and her precursors, enacted in its creative process. If one views a star as a work of art as well as industry, and they have sometimes literally been presented as such, sculpture offers perhaps the best comparator from the other arts.

Not only do sculptural associations recall a great `high-cultural’ history of venerated art, particularly classical sculpture, but they also offer up a wealth of mythic types to be appropriated, including that of Pygmalion and Galatea, a ubiquitous metaphor since the nineteenth century for a desirable artwork `coming to life’. In contemporary art, too, sculptors have been fascinated by the links between sculpture and photography. British sculptor Marc Quinn – best known for Alison Lapper Pregnant (2005), which challenged preconceptions of both disability and ‘classical beauty’, as well as Self (1991), purportedly cast from his own frozen blood the sculpture representing one frozen moment.

Remember: This is just a sample from a fellow student.

Your time is important. Let us write you an essay from scratch

100% plagiarism free

Sources and citations are provided

Find Free Essays

We provide you with original essay samples, perfect formatting and styling

Cite this Essay

To export a reference to this article please select a referencing style below:

The Basics Of The Archaeology Of Stardom. (2019, July 10). GradesFixer. Retrieved October 27, 2020, from
“The Basics Of The Archaeology Of Stardom.” GradesFixer, 10 Jul. 2019,
The Basics Of The Archaeology Of Stardom. [online]. Available at: <> [Accessed 27 Oct. 2020].
The Basics Of The Archaeology Of Stardom [Internet]. GradesFixer. 2019 Jul 10 [cited 2020 Oct 27]. Available from:
copy to clipboard

Sorry, copying is not allowed on our website. If you’d like this or any other sample, we’ll happily email it to you.

    By clicking “Send”, you agree to our Terms of service and Privacy statement. We will occasionally send you account related emails.


    Attention! this essay is not unique. You can get 100% plagiarism FREE essay in 30sec

    Recieve 100% plagiarism-Free paper just for 4.99$ on email
    get unique paper
    *Public papers are open and may contain not unique content
    download public sample

    Sorry, we cannot unicalize this essay. You can order Unique paper and our professionals Rewrite it for you



    Your essay sample has been sent.

    Want us to write one just for you? We can custom edit this essay into an original, 100% plagiarism free essay.

    thanks-icon Order now

    Hi there!

    Are you interested in getting a customized paper?

    Check it out!
    Having trouble finding the perfect essay? We’ve got you covered. Hire a writer uses cookies. By continuing we’ll assume you board with our cookie policy.