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About this sample
About this sample
Words: 673 |
Page: 1|
4 min read
Published: Mar 16, 2024
Words: 673|Page: 1|4 min read
Published: Mar 16, 2024
Macbeth epitomizes foreshadowing in literature. Macbeth takes three prophecies from the weird sisters, one of which is simply a prediction of a future event foreshadowing what is to come in the play. Romeo and Juliet also lights up the stage with its multi-faceted foreshadowing! As a result of refusing to marry Paris, Lord Capulet’s fury and impetuosity towards his daughter is foreshadowed. Romeo mentions Juliet’s ‘untimely death’ and then reflection of his own downfall, which recognizes as foreshadowing on Romeo’s part. Pericles contains the death and restoration of a character which is built upon a complex web of impossibility, before ultimately uncovering foreshadowing in order to validate the earlier apparent impossibilities. The Tempest, considered more upbeat than previous tragedies, might demonstrate that light moments can lead to light ends, but it is the deeper darker undertones that enable foreshadowing through the eyes of the reader. Lord of the Flies provides insight as to how within any literary work of art, probability is a necessity for initiation; and lastly, I will attempt to show you how the wretched figure of Dr. Harvey, with qualities reminiscent of the rejected belief of the time, becomes the recipient of foreshadowing in The Facts in the Case of M. Valdemar. It is here within that I hope to use these plays and literature works as examples in order to demonstrate that not only is there phenomenology in foreshadowing but a common experience and relationship between reader and text embodied in the work, as well as the reader, themselves.
In Macbeth, some of the greatest foreshadowing methods in literature are used. The power of foreshadowing is incorporated several times throughout the play, making the story more mystical and thrilling. The witches give away many hints into the ill fortune of Macbeth by telling him their prophecies. In addition to these prophecies, other subtle hints appear around Macbeth. They both work together to heighten the awful intensity of this murderous tragedy. The use of foreshadowing begins with the witches. They represent Macbeth's evil and mysterious side. From the very first meeting of the witches, their presence and speech seem to plant in Macbeth a seed of evil desire within him. They also give Macbeth an air of confidence due to what the witches have told him. In the beginning of the play, Macbeth stumbles upon these three witches and is given three prophecies by the group. They contain so much spiritual power that they forewarn him of what is to come, but this does not alter his judgment.
After hearing this, Macbeth is unsure of whether he should kill Duncan or not. This is a turning point in the play because after he discovers that Duncan is coming to his castle, Macbeth's ambition and desire for power take control of him and he immediately decides that to be king he must assassinate him. From these prophecies, we know that Macbeth will not fail, and that in the end he will become the king of Scotland. Macbeth was so infatuated with the witches' prophecies that he now will make sure they come true. The witches also allude to Macbeth's future with his new position with lines such as "All hail, Macbeth! Hail to thee, thane of Cawdor" and "All hail, Macbeth! That shall be king hereafter." These two quotes are the first predictions that the witches have made. The witches also hint at Macbeth's eventual assassination by Fleance and his not having any heirs.
One technique that is often used in literary works is foreshadowing. Authors use this method to build tension in the story, create backgrounds for the characters, and show the conflicts before they are resolved. This is done because it functions as a warning in a literary work. One of the reasons why Macbeth is considered a great piece of artwork is because of the foreshadowing it does. From the beginning to the end of the play, Macbeth is filled with warnings of what is to come.
To begin the foreshadowing, the very first torrent of warnings is in the witches. The witches are considered to be mischievous and deceiving creatures, which creates a very negative and uneasy atmosphere. The witches told Macbeth the three prophecies, which are: to beware of Macduff, no man that is born of a woman shall ever harm Macbeth, and Macbeth shall never vanish from power until Birnam Woods move to Dunsinane Hill and take down Macbeth. These three points show clear indications to Macbeth of what he will soon meet. The witches have these conversations to make sure that Macbeth knows what is going to happen to him. Therefore, when going into battle, Macbeth wouldn't die because he himself had never seen an army or a wood of trees move away from their place. With these prophecies, the witches are warning Macbeth of what is soon to come. These warnings then lead to Macbeth's death because he had already gone through everyone that is born of a woman shall never harm him, along with no man that is born of a woman. Following this, all he had left in his way was the fortune teller, which was the very last part of their prediction.
The title character of Macbeth is a classic example of a fatally flawed hero. Even the play's title is full of foreshadowing. The "Mac" can suggest "son of" and the "beth" can be linked to a place of death. The thread of this tragedy can be clearly traced from the start with the witches’ first appearance throughout the various scenes until the last act. The witches create a vivid Advent atmosphere and symbolize the season of anticipation leading up to a significant birth. The three witches foretell Macbeth's rise to power and also the new position that Banquo's sons are to receive. The witches' second set of predictions are as follows: 1) Macbeth becomes impervious to weapons; 2) Beware Macduff; 3) No man born of woman can harm Macbeth; 4) Macbeth will retain power until Birnam Wood moves to Dunsinane. Each of them adds to the payload of tension that runs through the play as Macbeth decides on the course of action he should follow.
The cumulative effect of these staged revelations helps ensure the necessary level of audience expectation, anticipation, and suspension of disbelief so important in the success of any work of art. There will be no relief for the “Macbeth” audience; until Macbeth’s death, the nature of the play is tragic, and we can only feel doom and gloom, a fixed sense of inevitable defeat for the protagonist and those who surround him. When tragedy occurs, the audience should not be surprised; we should be shaking our heads and saying to ourselves: “I knew that would happen.” In Macbeth, the witches' predictions have the same effect as that of an excited peek-a-boo instigator expertly employed by a deft playwright.
In conclusion, the use of foreshadowing is the most prevalent literary device used in the entire play, holding thirteen instances that are both incredibly powerful and sometimes quite subtle. At times, it creates suspense through the use of prophecies that come back later to foreshadow the cause of the play’s chilling end. At other turns, it foreshadows action by having characters do a particular action or speak certain words that later come back to become symbolic of happenings within the play. The use of foreshadowing is what separates this piece from others as it is used as the driving force in plot development. As such, it keeps its audience’s attention and contributes an air of enticement.
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