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The physical attributes of sculpture indicate that it is an old sculpture of the crucified Christ. The form is carved and some parts are gilded and painted. The arms and the main body are joined together but not carved in unity. The figure is about 200 cm high and the span of the arm is about 170 cm. The sculpture is important because it represent a medieval way of representing Christ. The missing fingers in the right arm indicate that the art form is one of the finest and earliest sculptures of life-size wood sculpted crucifixions.
The sculpture seems to have passed the test of time as depicted by the missing fingers, which must have been present in its early years. It is an old depiction of dead Crist while still on the cross. The sculpture is life-sized. There is one hole in each hand, suggesting the nailing of the Christ’s body to the cross. There are holes in the feet and the cross has many scratches. There is one complete hole on the edge of one side of the horizontal part of the cross; the other side has a half hole. This could be the evidence that there might be one hole on each side of the cross for it to hang on somewhere, but the holes might just be damage.
Just like the Gero crucifix in the shape of Christ’s body, this sculpture depicts Christ with his head slumping down. The both eyes are closed pointing to the injuries that Christ sustained during his tribulations. The artists seem to have paid much attention to the aspect of suffering that Christ went through in his crucifixion. The slumped head, lifeless body, and the closed eye are main pointers to the suffering of Christ during the crucifixion. The depiction of the missing fingers could also be idealized to paint Christ as disfigured and vulnerable during the crucifixion. The sculpture is also different from many other sculptures of the Christ crucifixion because the knees of Christ do not bend sideways as depicted in other sculptures. The bended knees were important because they indicate the strain on Christ’s arms as they carried the weight of his whole body when his legs lacked the strength to remain straight.
One hand has only thumb and palm remaining, all other fingers are missing. The horizontal and vertical wooden boards are joined together, not a unity. The horizontal wooden board of the cross is a complete board. The vertical board separates into upper and lower section to joint with horizontal board the juncture is obvious.
The bottom of the cross, beneath the Christ’s’ feet, the cross has long middle section and a shortened section of both edges. This could suggest the long middle section was meant to plant the cross into the ground. You can feel the Christ hanged on the cross, the body is dropping downward because of the gravity. The head falls down eyes are closed. The angle of both arms descends because of the weight of the whole body. Both feet are also in a downward position. The Christ’s stomach is not flat, it sticks out a little bit, indicating the Christ is dead for a while
There are many details of the entire body. Fingers and toes are sculptured very clear. The clothing roping around Christ’s body is very detailed with folds and has the sense of gravity to it. The clothes around the waist are very flat and fit the body. You are able to see the shape of thighs hind behind the clothes. The shanks connect with the lines of thighs beneath the clothes.
This art form is also free standing which indicates that it is an important improvement of the Western art. The intended audience includes mainly the people who resonate with Christ and who view his suffering as their own. The artist succeeds in inciting pity from the crowds because of using a gruesome scene with the higher depiction of realism to provoke emotional reactions from the audience. The sculpture expresses Christ’s human nature, which moves a number of the audience to a state of mourning, as they comprehend the extent of Christ’s sacrifice and suffering on the cross. The art form follows a naturalistic and human figure promoting form, composition, symmetry, and color in art.
The sculpture lacks decorations and colors, which at times distract the on-lookers from the power of crucifixion, and the implications attached to it. The sculpture maintains the integrity of the scene just like most similar sculptures. It also restores the idealism of the horrific scene using dull colors. The simplicity of the figure is in line with the desire to keep the subject matter the point of focus and not on the art itself. The figure is placed on an isolated scene with only the figure of crucifixion to remind the audience that Christ suffered for all humanity.
The usual sign above the head of Jesus is missing from this sculpture. It is possible that it was there initially but fell after a long period or maybe the artist failed to place it there because of reasons are known to him. The failure to include the sign could also be in line with the artist’s desire to maintain the simplicity of the sculpture and to break away from the general perceptions and images of Christ crucifixion.
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