1471 words | 3 Pages
Despite the adaptation of a text to film benefiting from the opportunities and abilities bestowed to a director through the visual aspect of the medium, narrative complexity and depth of literary themes almost inevitably suffer a condensation. Ralph Fiennes’s adaptation of William Shakespeare’s Coriolanus is...
3565 words | 8 Pages
Introduction Vengeance, chaos, uncertain honor and untimely death-whether describing the fall from grace of a noble king, impassioned General, or valiant warrior, each arises in the historically based tragedies of William Shakespeare. Coriolanus, Shakespeare’s account of the societal and self destruction of a Roman warrior...
1079 words | 2 Pages
Particularly interesting in a genre that by its definition is meant to be a crowd-pleaser, Shakespeare’s play Coriolanus provides a protagonist who is not particularly likeable. Constantly insulting in his speech, prideful and short-tempered, Coriolanus, unlike his mother Volumnia, is neither able nor willing to...
2138 words | 5 Pages
“What he cannot help in his Nature, you/account a Vice in him.” 1. This is the reason it is so difficult, and yet so necessary, to sympathise with Coriolanus. His virtues work in conjunction with his vices and for a modern reader, with little empathy...
887 words | 2 Pages
Mention Tonya Harding, Timothy McVeigh or Monica Lewinsky, and immediately the infamous deeds of each individual come to mind. Each of these names meant nothing until actions such as sex and violence became associated with them. Monica Lewinsky’s name became so recognizable that she used...
1877 words | 4 Pages
Shakespeare’s Richard III and Coriolanus are both characters who possess all the qualities of potentially invincible, fearless, and heroic warriors. They fail to emerge as heroes because neither of them are able to live beyond their idealistic motives as warriors, and incorporate humanity into their...