2326 words | 5 Pages
A significant aspect explored by Alison Bechdel in Fun Home is her relationship with her father, Bruce. During her childhood, there seems to be constant friction between Bechdel and Bruce and she applies the Daedalus-Icarus metaphor to depict her relationship with her father. However, when...
2047 words | 4 Pages
It is often thought that graphic novels and comics are in some way less sophisticated or overall lesser than traditional novels, as if the use of illustrations rather than long text descriptions makes it a more simplistic medium. However, the blending of illustrations and text...
1327 words | 3 Pages
Fun Home is an autobiographical graphic novel by American author and cartoonist Alison Bechdel. It follows the story of her maturation, growing up in Pennsylvania, moving out of the house, and coming to terms with her sexuality. In the process, she discovers some surprising secrets...
2578 words | 6 Pages
Social psychologists have long been engaged with the question how individuals construct and understand their identities. Through theories, they have tried to explain the interdependence of humans in this process of understanding and construction. Freud explains the relationship between the true identity and the performed...
1750 words | 4 Pages
Alison Bechdel’s Fun Home challenges both established gender roles and heteronormative identities. Gender is shown to be constructed, assigned through Western standards, and then practiced through performance. Bechdel’s graphic novel explores the destruction of feminine female/masculine male gender binaries and proposes a more fluid understanding...
1563 words | 3 Pages
Fun Home is a family tragicomic is a realistic memoir by Alison Bechdel. It centers explicitly around her folks, Helen and Bruce, and their job in her life. Bechdel manufactures the story around the deplorable occasion of her dad’s demise. also, following her voyage from...
819 words | 2 Pages
Although Alison Bechdel tells an emotional story in her graphic memoir Fun Home, she also grounds various important plot points about identity construction in mythology. In this way, she is able to articulate the complex and often contradictory relationship with her father that ultimately played...
800 words | 2 Pages
The graphic novel Fun Home by Alison Bechdel opens with a series of panels portraying how she and her father used to play airplane. At the same time, Bechdel makes a connection between them playing airplane and the myth of Icarus and Daedalus. It is...
844 words | 2 Pages
Alison Bechdel’s Fun Home is a groundbreaking piece of literature in which an audience is able to experience an autobiographical piece unlike any other. Through the illustrations in this graphic novel as well as the utterly human words and concepts discussed by Bechdel, she is...
1327 words | 3 Pages
Ambiguity is present within every language as every word can be interpreted slightly differently. In literature, complex ideas are often indirectly depicted through the use of metaphors and symbols. Likewise, images also possess a sense of ambiguity, perhaps even more so than words, since images...
3234 words | 7 Pages
The introduction of the novel – or long form narrative prose in general – granted the writer a unique, widened canvas on which to blend rhetoric and art. Here, the writer is invited to both persuade and entertain, sometimes veiling one with the other. On...
1264 words | 3 Pages
Michel Foucault begins his essay “We ‘Other’ Victorians” with a description of what he calls the “repressive hypothesis” (Foucault 10). This hypothesis holds that openly expressing sexuality at the beginning of the seventeenth century was considered shameless. Transitioning into the Victorian era and with the...
589 words | 1 Page
Combining two genres, comic and memoir, Alison Bechdel’s graphic novel Fun Home is now showing as a musical at Young Vic in London. This wonderful production is adapted by Lisa Kron, composed by Jeanine Tesori, and directed by Sam Gold. With the resonant music and...
2334 words | 5 Pages
In its creation and consumption, literature involves an inherent contract between reader and author. The parameters of this contract are often set by the work’s genre, and help the reader to determine whether the text should be interpreted as truth or imagination. When an author...