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The Theme of Abandonment and Brutality in a Streetcar Named Desire

A Streetcar Named Desire Band 2 Pages

“A Streetcar Named Desire” is a story of damaged people. Blanche DuBois, a repressed and sexually warped Southern belle, seeks either atonement or reassurance; she wants someone to help lift the burden of her guilt for her twisted sexuality. Meanwhile, Stanley Kowalski, a horrifyingly abusive...

The Use of Contrast as a Literary Device at the Start of a Streetcar Named Desire

A Streetcar Named Desire 4 Pages

The theme of contrast is key to A Streetcar Named Desire as it is so obviously displayed in every aspect of the play. Most importantly, Blanche is in a stark contrast with Stanley – a contrast which ends up being very problematic – and there...

Compare the Role that Patriarchal Ideology Plays in a Doll House and a Streetcar Named Desire

A Streetcar Named Desire Plays 4 Pages

In Ibsen’s A Doll’s House and Williams’ A Streetcar Named Desire, both playwrights have shed light on the struggles women face to establish their place in the patriarchal society. While in A Doll’s House women finally triumph over patriarchy, in A Streetcar Named Desire, they...

Reality Or Illusion in the Streetcar Named Desire

A Streetcar Named Desire 2 Pages

“A picture is worth a thousand words.” This timeless saying embodies the ability of imagery to convey multiple messages and themes in an overarching structure. Through detailed nuance, the playwright Tennessee Williams utilizes the imagery found in his characters’ actions and settings to surpass the...

The Truth of Blanche

A Streetcar Named Desire 4 Pages

Throughout A Streetcar Named Desire, Blanche is caught between the contradictions of her own character and the society surrounding her. She persistently fights to conceal the truth of her personality and past, failing to comprehend the changing conditions of post-WWII, post-New Deal America. In the...

Powerless Women:how a Streetcar Named Desire and the Duchess of Malfi Illustrate This Theme

A Streetcar Named Desire The Duchess of Malfi 3 Pages

Power is the underlying current that runs through both Webster’s ‘The Duchess of Malfi’, a 17th century revenge tragedy, and Williams’ ‘A Streetcar Named Desire’, a 20th Century modern domestic tragedy. Both plays offer stark representations of power’s tendency to corrupt, a corruption that often...

A Marxist Criticism of a Streetcar Named Desire

A Streetcar Named Desire 4 Pages

Tennessee Williams’s play, A Streetcar Named Desire, illustrates the struggle of power between economic classes and the changes taking place in America at that time, regarding social status. The constant tension between Blanche and Stanley represents the conflict between social classes, and the clash of...

An Examination of the Character of Blanche in a Streetcar Named Desire

A Streetcar Named Desire 5 Pages

In Tennessee Williams’ play, A Streetcar Named Desire, the nature of theatricality, “magic,” and “realism,” all stem from the tragic character, Blanche DuBois. Blanche is both a theatricalizing and self-theatricalizing woman. She lies to herself as well as to others in order to recreate the...

Good and Evil: the Image of Dorian Gray and a Streetcar Named Desire

A Streetcar Named Desire The Picture of Dorian Gray 4 Pages

The measure of a man’s character is what he would do if he knew he never would be found out. Thomas Babington Morality is the very foundation of goodness and the pillar of righteousness. Immorality, however, is the threshold towards conspicuous malevolence. These two extremes...

Analysis of Stanley Kowalski’s Role in Tennesee Williams’ Book, a Streetcar Named Desire

A Streetcar Named Desire 2 Pages

Ambur Dumais Using the first three scenes of “A Streetcar Named Desire”, it is safe to use certain words to describe Stanley Kowalski: animalistic, dominance-driven, and hotheaded. Stanley has grown up as a city-boy who developed a behavior that would drive most people into the...

A Close Analysis of Gender in the Handmaid's Tale and a Streetcar Named Desire

A Streetcar Named Desire The Handmaid’s Tale 3 Pages

Through a focus upon gender, both Elia Kazan’s film of Tennessee Williams’ original play, A Streetcar Named Desire (Warner Bros, 1951) and Margaret Atwood’s novel, The Handmaid’s Tale (Vintage, 1986) effectively manage to mirror the concerns of both time and place. Despite differing contextual influences,...

How the Relationship Between Blanche and Stella Adds to the Dramatic Effect in a Streetcar Named Desire

A Streetcar Named Desire 2 Pages

Since the focal theme of “A Streetcar Named Desire” is that of integration and adaptation, the relationship between Blanche and Stella is important and its function evident: Williams establishes a contrast between them. For example, when Stella says, in Scene One, that ‘the best I...

How Blanche and Stellla Rely on Self-delusion

A Streetcar Named Desire 1 Pages

By the time she speaks her famous closing line about depending on the kindness of strangers, it has become apparent that the ability of Blanche DuBois to survive in a world of men—and not just animalistic throwbacks like Stanley Kowalski, either, but men of all...

Blanche in a Streetcar Named Desire: Blanche Analysis

A Streetcar Named Desire Book Review Literature Review 3 Pages

Blanche in “A Streetcar Named Desire” is a character who will throughout the duration of the play invoke all sorts of contrasting, even opposite emotions. To analyze one’s emotions is no easy task, and to do so most effectively one must break the play into...

The Use of Suspense in a Streetcar Named Desire

A Streetcar Named Desire 3 Pages

Tennessee Williams uses a variety of techniques to produce a strong sense of dramatic tension throughout A Streetcar Named Desire, as he mainly focuses on the interactions between characters to create an edgy mood. For example, Williams’ presentation of Blanche suggests she is actually the...

Representation of Patriarchal Ideology in "A Doll’s House" and "A Streetcar Named Desire"

A Streetcar Named Desire Books 4 Pages

Patriarchy refers to a social system in which men categorically hold more power than women. They occupy powerful positions in society and their actions and decisions carry more authority than those of women. Patriarchy is embedded in society’s institutions and the ways in which we...

How Feminity and Masculinity Are Presented in Ariel and a Streetcar Named Desire

A Streetcar Named Desire 7 Pages

In both Tennessee Williams’ A Streetcar named Desire and Sylvia Plath’s Ariel, there is extensive concern for how masculinity and femininity are portrayed. Both texts present archetypical interpretations of gender as well as juxtaposing figures that undermine these stereotypes, either actively or passively. One such...

Brutality in the World:how the Two Themes Comes Out in a Street Named Desire and "Water" by Robery Lowell

A Streetcar Named Desire 3 Pages

The postmodernist writers emerged after the Second World War, and their fierce critiques of human nature showed a race that was vile and heinous at best, with Tennessee Williams’s depiction being no different. In his play A Streetcar Named Desire, Williams explores the gruesome nature...

First Impression Lies:the Power and Masculinity Exuded by Stanley Kolawski

A Streetcar Named Desire 3 Pages

Throughout scenes 1 and 2 of A Streetcar Named Desire, playwright Tennessee Williams presents Stanley as extremely powerful and authoritative through the use of dialogue as well as stage directions. The audience immediately learns how strong Stanley is in a physical sense; however, we soon...

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