“A Streetcar Named Desire” is a story of damaged people. Blanche DuBois, a repressed and sexually warped Southern belle, seeks either atonement or reassurance; she wants someone to help lift the burden of her guilt for her twisted sexuality. Meanwhile, Stanley Kowalski, a horrifyingly abusive...
Throughout A Streetcar Named Desire, Blanche is caught between the contradictions of her own character and the society surrounding her. She persistently fights to conceal the truth of her personality and past, failing to comprehend the changing conditions of post-WWII, post-New Deal America. In the...
“A picture is worth a thousand words.” This timeless saying embodies the ability of imagery to convey multiple messages and themes in an overarching structure. Through detailed nuance, the playwright Tennessee Williams utilizes the imagery found in his characters’ actions and settings to surpass the...
The theme of contrast is key to A Streetcar Named Desire as it is so obviously displayed in every aspect of the play. Most importantly, Blanche is in a stark contrast with Stanley – a contrast which ends up being very problematic – and there...
Throughout scenes 1 and 2 of A Streetcar Named Desire, playwright Tennessee Williams presents Stanley as extremely powerful and authoritative through the use of dialogue as well as stage directions. The audience immediately learns how strong Stanley is in a physical sense; however, we soon...
Blanche in “A Streetcar Named Desire” is a character who will throughout the duration of the play invoke all sorts of contrasting, even opposite emotions. To analyze one’s emotions is no easy task, and to do so most effectively one must break the play into...
Using the first three scenes of “A Streetcar Named Desire”, it is safe to use certain words to describe Stanley Kowalski: animalistic, dominance-driven, and hotheaded. Stanley has grown up as a city-boy who developed a behavior that would drive most people into the opposite direction....
The brutality and inescapability of oppression is a dominant theme in literature as it is a key theme presented in A Streetcar Named Desire. Williams calls for the reform of social constructs such as patriarchy in this play and brings to light modes of oppression...
In the 1947 play A Streetcar Named Desire by Tennessee Williams, the relationship between Blanche and Mitch is a key subplot in the tale of Blanche’s descent into madness and isolation. Whilst Williams initially presents Mitch as the answer to all Blanche’s problems and as...
Any time a play or a novel is adapted into a film portrayal of the text, critics will evaluate the film either in a positive or a negative manner. It is necessary to understand the freedoms a director has, and understand that an adaptation allows...
Patriarchy refers to a social system in which men categorically hold more power than women. They occupy powerful positions in society and their actions and decisions carry more authority than those of women. Patriarchy is embedded in society’s institutions and the ways in which we...
Power is the underlying current that runs through both Webster’s ‘The Duchess of Malfi’, a 17th century revenge tragedy, and Williams’ ‘A Streetcar Named Desire’, a 20th Century modern domestic tragedy. Both plays offer stark representations of power’s tendency to corrupt, a corruption that often...
The struggle of the outsider is facilitated by their isolation and their inability to form significant bonds with others in their community. Whilst outsiders have the capacity to challenge their respective communities, their struggles inevitably lead to their moral corruption. Reflecting the patriarchal norms of...
The postmodernist writers emerged after the Second World War, and their fierce critiques of human nature showed a race that was vile and heinous at best, with Tennessee Williams’s depiction being no different. In his play A Streetcar Named Desire, Williams explores the gruesome nature...
A Streetcar Named Desire and Blues for Mister Charlie are both concerned to a large extent with tensions between different ethnic groups and, since in both plays the ethnicity of each group defines its social position, different social groups as well. The two plays are...
Both Webster in ‘The Duchess of Malfi,’ a Jacobean revenge tragedy, and Williams in ‘A Streetcar Named Desire,’ a 20th century modern-domestic tragedy, use entrapment as a pivotal focus for chief dramatic moments. The playwrights especially focus on the physical and psychological entrapment of females...
A Streetcar Named Desire is at its surface, an undoubtedly heterosexual play. Allan Grey, its unseen gay character, makes homosexuality a seemingly marginal topic within the play. But a deeper reading of the text suggests the opposite. Tennessee Williams uses heterosexual characters as surrogates to...
In Tennessee Williams’ A Streetcar Named Desire, despite Blanche Dubois’ desire to start fresh in New Orleans, her condescending nature, inability to act appropriately on her desires, and denial of reality all lead to her downfall. Blanche believes that her upper class roots put her...
Williams and Yates have set their works in the American, post-World War II, conformist society, they illustrate the terrible effects of this society on women through the genre of modern tragedy. A Streetcar Named Desire is set in 1947, in the atypical American setting of...
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