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Various Meanings of Love in Twelfth Night

Twelfth Night 2 Pages

In Twelfth Night, Shakespeare illustrates love in various forms and suggests that, like beauty, the true meaning of love exists in the eye of the beholder. Love is seen as bordering on insanity, a frivolous game of ever-changing affections, and the cause of bizarre behavior....

An Analsysis of the Theme of Love and Deceit in Twelfth Night

As You Like It Twelfth Night 5 Pages

According to Patrick Swinden in An Introduction to Shakespeare’s Comedies, a comedy does not demand the ‘the degree of concentration and belief’ required by tragedy. As a result, an audience of a play ‘is amusedly aware that it’s all a play, a game that they...

The Use of Comedy in the Twelfth Night

Twelfth Night 4 Pages

Salinger (1974) calls Twelfth Night a “comedy about comedy” in which Shakespeare demonstrates his “fundamental debt to the earlier Renaissance tradition of comic playwriting and his abiding sense of detachment from it” (pg 242), and it is from this point that this essay will discuss...

Misconceptions and Deceit: the Crisis of Half-perceived Reality in Twelfth Night

Twelfth Night 2 Pages

It has often been said that “the clothes make the man.” It could never seem truer than in Twelfth Night where disguises and mistaken identities run the gamut of use. The identity of people, things and ideas are swept away under the facade of something...

Love as Comedic Energy: Viola and Orsino, Twelfth Night Ii.iv

Twelfth Night 5 Pages

Love as Comedic Energy: Viola and Orsino, Twelfth Night II.iv Chosen extract: Act 2, Scene iv In Twelfth Night, it is love’s revolutionary potential to inspire awareness, question authority, and disrupt the anti-comic balance that makes love so powerful allows it to be such an...

Twelfth Night’s Swerving Women: Conformity Vs. Individuality

Twelfth Night 4 Pages

When Lady Olivia first beseeches Viola, a girl disguised as the male page Cesario, to love her, the two share a repartee that seems to question Cesario’s affection for the countess. But as Viola responds to Olivia, “you do think you are not what you...

Love and Mistaken Identities in Twelfth Night, a Play by William Shakespeare

Mistake Twelfth Night 2 Pages

Twelfth Night Analysis “Twelfth Night” is a play written by Shakespeare. This play, mainly based on love, begins with Orsino trying to win Olivia’s love. Viola, who was shipwrecked, assists the Duke by disguising herself as Cesario and ends up falling in love with the...

Sexual and Gender Identities in Twelfth Night

Twelfth Night 3 Pages

Because disguise and mistaken identity is such a central theme in many of Shakespeare’s comedies, so too then is gender ambiguity, with many female characters disguising themselves as men. The fact that young male actors played these characters, making them a boy dressed as a...

Twelfth Night: a Cruelty Comedy

Twelfth Night 4 Pages

In a Shakespearean comic setting where chaos, asininity, and insolence reign, the very qualities of comic irreverence become virtues. A comic hero or side character who relentlessly pranks stooges and straight men for the audience’s enjoyment is likely to win the viewer’s appreciation. Yet it...

Feste as a Playwright Figure and Fool in Twelfth Night

Twelfth Night 6 Pages

Feste, the fool character in Twelfth Night, in many ways represents a playwright figure, and embodies the reach and tools of the theater. He criticizes, manipulates and entertains the other characters while causing them to reflect on their life situations, which is similar to the...

Shakespeare’s Use of Sexual and Gender Ambiguity in Twelfth Night

Twelfth Night 10 Pages

“Sex is one of the constants in human experience; sexuality, one of the variables.” Bruce Smith, Homosexual Desire in Shakespeare’s England. Sexuality in Renaissance England was ambiguous. The current common idea or definition of “homosexual” did not exist in Renaissance England. Today, people are defined...

Puritan Malvolio: a Victim of Comedy and a True Fool

Twelfth Night 3 Pages

Initially, the salient fool in Shakespeare’s Twelfth Night appears to be Feste — a licensed jester. Yet upon further examination, we see that Shakespeare merely uses Feste as a critic of the comedic disarray in Illyria, which parallels the festival Twelfth Night. The nature of...

Dark, Upsetting Schemes and Characters in Twelfth Night

Twelfth Night 4 Pages

In Twelfth Night, Shakespeare creates a duality between the worlds of the nobility and its associates and the said “outsiders.” There is a great element of selfishness involved in the actions of the characters deemed “in” as they peruse through the play drunk on love...

Exploring Gender Expectations and Dating in Twelfth Night and as You Like It

As You Like It Twelfth Night 5 Pages

Although some Shakespearean plays carve out a more passive, male-defined role for women, such as that which is exemplified through Ophelia’s obedience to Polonius in Hamlet, the comedies of As You Like It and Twelfth Night explore women’s potential for unexpected honesty, especially within the...

Twelfth Night and Power Dynamism: the Character of Sebastian

Twelfth Night 2 Pages

The character of Sebastian in “Twelfth Night” represents the dynamic factor in an otherwise static equation. Illyria is an immutable place, and the people who live and visit the land become ensnared in a stasis. Shakespeare uses the device of twins to resolve the static...

Lovers Or Friends: the Mystery of Viola and Orsino’s Relationship

Twelfth Night 4 Pages

Shakespeare’s classic play, Twelfth Night, tells the story of Viola, a woman who dresses like a man to find a place in Duke Orsino’s court. While working for Orsino, however, Viola falls in love with him, but must hide her feelings in order to protect...

Dismantling the Blazon in Twelfth Night: Women and the Poetic Code

Twelfth Night 5 Pages

Originally used to signify a shield or a coat of arms, the term ‘blazon’ transformed it meaning through the description of virtues or positive attributes, usually of a woman, in late sixteenth century poetry. ‘Blazon’ can either denote a noun, signifying the actual list of...

The Humanitarian Side of Two Knaves in Twelfth Night: Malvolio and Parolees

Twelfth Night 5 Pages

Malvolio and Parolles both appear as relatively unlikable characters due to their inflated egos, and convince themselves that they are socially greater than they are in reality. In Twelfth Night, Malvolio, a mere steward, behaves with utter scorn and haughtiness to the nobles whose conduct...

Twelfth Night is a Mysterious Happy Medium

Twelfth Night 3 Pages

Quoted centuries before Shakespeare’s birth, the Roman playwright Titus Maccius Plautus believed that “in everything the middle course is best; all things in excess bring trouble to men.” Often times, society focuses its sights on the attainment of concrete and comparable perfection: being the most...

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