Essays on Twelfth Night

Introduction to Shakespeare’s Comedies, a comedy does not demand the ‘the degree of concentration and belief’ required by tragedy. As a result, an audience of a play ‘is amusedly aware that it’s all a play, a game that they are sharing with the actors’. FN1...

“Sex is one of the constants in human experience; sexuality, one of the variables.” Bruce Smith, Homosexual Desire in Shakespeare’s England. Sexuality in Renaissance England was ambiguous. The current common idea or definition of “homosexual” did not exist in Renaissance England. Today, people are defined...

Initially, the salient fool in Shakespeare’s Twelfth Night appears to be Feste — a licensed jester. Yet upon further examination, we see that Shakespeare merely uses Feste as a critic of the comedic disarray in Illyria, which parallels the festival Twelfth Night. The nature of...

“Twelfth Night” is a play written by Shakespeare. This play, mainly based on love, begins with Orsino trying to win Olivia’s love. Viola, who was shipwrecked, assists the Duke by disguising herself as Cesario and ends up falling in love with the Duke. Olivia’s servant,...

In Twelfth Night, Shakespeare illustrates love in various forms and suggests that, like beauty, the true meaning of love exists in the eye of the beholder. Love is seen as bordering on insanity, a frivolous game of ever-changing affections, and the cause of bizarre behavior....

In Shakespeare’s Othello, the primary obstacle in Othello and Desdemona’s relationship is Othello’s race, and hence, his status as an outsider. This difference becomes a barrier when Brabantio objects to their marriage, however, it plays much more of a role in facilitating Iago’s manipulation and...

Salinger (1974) calls Twelfth Night a “comedy about comedy” in which Shakespeare demonstrates his “fundamental debt to the earlier Renaissance tradition of comic playwriting and his abiding sense of detachment from it” (pg 242), and it is from this point that this essay will discuss...

Originally used to signify a shield or a coat of arms, the term ‘blazon’ transformed it meaning through the description of virtues or positive attributes, usually of a woman, in late sixteenth century poetry. ‘Blazon’ can either denote a noun, signifying the actual list of...

In Twelfth Night, it is love’s revolutionary potential to inspire awareness, question authority, and disrupt the anti-comic balance that makes love so powerful allows it to be such an agent of change. Robert Maslen, in Shakespeare and Comedy, describes this as love’s “energy”, comparing love...

Because disguise and mistaken identity is such a central theme in many of Shakespeare’s comedies, so too then is gender ambiguity, with many female characters disguising themselves as men. The fact that young male actors played these characters, making them a boy dressed as a...

It has often been said that “the clothes make the man.” It could never seem truer than in Twelfth Night where disguises and mistaken identities run the gamut of use. The identity of people, things and ideas are swept away under the facade of something...

The character of Sebastian in “Twelfth Night” represents the dynamic factor in an otherwise static equation. Illyria is an immutable place, and the people who live and visit the land become ensnared in a stasis. Shakespeare uses the device of twins to resolve the static...

Malvolio and Parolles both appear as relatively unlikable characters due to their inflated egos, and convince themselves that they are socially greater than they are in reality. In Twelfth Night, Malvolio, a mere steward, behaves with utter scorn and haughtiness to the nobles whose conduct...

Although some Shakespearean plays carve out a more passive, male-defined role for women, such as that which is exemplified through Ophelia’s obedience to Polonius in Hamlet, the comedies of As You Like It and Twelfth Night explore women’s potential for unexpected honesty, especially within the...

When Lady Olivia first beseeches Viola, a girl disguised as the male page Cesario, to love her, the two share a repartee that seems to question Cesario’s affection for the countess. But as Viola responds to Olivia, “you do think you are not what you...

Feste, the fool character in Twelfth Night, in many ways represents a playwright figure, and embodies the reach and tools of the theater. He criticizes, manipulates and entertains the other characters while causing them to reflect on their life situations, which is similar to the...

Shakespeare’s classic play, Twelfth Night, tells the story of Viola, a woman who dresses like a man to find a place in Duke Orsino’s court. While working for Orsino, however, Viola falls in love with him, but must hide her feelings in order to protect...

In Twelfth Night, Shakespeare creates a duality between the worlds of the nobility and its associates and the said “outsiders.” There is a great element of selfishness involved in the actions of the characters deemed “in” as they peruse through the play drunk on love...

In both plays, Twelfth Night and Doctor Faustus, there exists a high and a low (or comic) plot. This plot division serves as a parallel – the actions and characters in the low plot coincide with the actions and characters in the high plot. The...