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Love and Mistaken Identities in Twelfth Night, a Play by William Shakespeare

Twelfth Night Analysis “Twelfth Night” is a play written by Shakespeare. This play, mainly based on love, begins with Orsino trying to win Olivia’s love. Viola, who was shipwrecked, assists the Duke by disguising herself as Cesario and ends up falling in love with the...

Mistake Twelfth Night 2 Pages

Is Twelfth Night or What You Will a Festive or Poignant Comedy?

Topic: One theatre critic has said of Twelfth Night: “…the key question seems to me how much one regards it as a festive piece of saturnalia, written for a very specific occasion, and how much as a dark comedy about impermanence and pain.” What is...

Twelfth Night 4 Pages

Various Meanings Of Love In Twelfth Night

In Twelfth Night, Shakespeare illustrates love in various forms and suggests that, like beauty, the true meaning of love exists in the eye of the beholder. Love is seen as bordering on insanity, a frivolous game of ever-changing affections, and the cause of bizarre behavior....

Twelfth Night 2 Pages

Sexual And Gender Identities In Twelfth Night

Because disguise and mistaken identity is such a central theme in many of Shakespeare’s comedies, so too then is gender ambiguity, with many female characters disguising themselves as men. The fact that young male actors played these characters, making them a boy dressed as a...

Twelfth Night 3 Pages

The Humanitarian Side Of Two Knaves In Twelfth Night: Malvolio And Parolees

Malvolio and Parolles both appear as relatively unlikable characters due to their inflated egos, and convince themselves that they are socially greater than they are in reality. In Twelfth Night, Malvolio, a mere steward, behaves with utter scorn and haughtiness to the nobles whose conduct...

Twelfth Night 5 Pages

An analsysis of the theme of love and deceit in Twelfth Night

According to Patrick Swinden in An Introduction to Shakespeare’s Comedies, a comedy does not demand the ‘the degree of concentration and belief’ required by tragedy. As a result, an audience of a play ‘is amusedly aware that it’s all a play, a game that they...

As You Like It Twelfth Night 5 Pages

The use of comedy in the Twelfth night

Salinger (1974) calls Twelfth Night a “comedy about comedy” in which Shakespeare demonstrates his “fundamental debt to the earlier Renaissance tradition of comic playwriting and his abiding sense of detachment from it” (pg 242), and it is from this point that this essay will discuss...

Twelfth Night 4 Pages

Twelfth Night’s Swerving Women: Conformity vs. Individuality

When Lady Olivia first beseeches Viola, a girl disguised as the male page Cesario, to love her, the two share a repartee that seems to question Cesario’s affection for the countess. But as Viola responds to Olivia, “you do think you are not what you...

Twelfth Night 4 Pages

Dismantling the Blazon in Twelfth Night: Women and the Poetic code

Originally used to signify a shield or a coat of arms, the term ‘blazon’ transformed it meaning through the description of virtues or positive attributes, usually of a woman, in late sixteenth century poetry. ‘Blazon’ can either denote a noun, signifying the actual list of...

Twelfth Night 5 Pages

Twelfth Night is a Mysterious Happy Medium

Quoted centuries before Shakespeare’s birth, the Roman playwright Titus Maccius Plautus believed that “in everything the middle course is best; all things in excess bring trouble to men.” Often times, society focuses its sights on the attainment of concrete and comparable perfection: being the most...

Twelfth Night 3 Pages

Romantic Relationships in Twelfth Night and Othello: the Inside and Outside Influences

In Shakespeare’s Othello, the primary obstacle in Othello and Desdemona’s relationship is Othello’s race, and hence, his status as an outsider. This difference becomes a barrier when Brabantio objects to their marriage, however, it plays much more of a role in facilitating Iago’s manipulation and...

Othello Twelfth Night 5 Pages

Shakespeare’s Use Of Sexual And Gender Ambiguity In Twelfth Night

“Sex is one of the constants in human experience; sexuality, one of the variables.” Bruce Smith, Homosexual Desire in Shakespeare’s England. Sexuality in Renaissance England was ambiguous. The current common idea or definition of “homosexual” did not exist in Renaissance England. Today, people are defined...

Twelfth Night 10 Pages

Exploring Gender Expectations And Dating In Twelfth Night And As You Like It

Although some Shakespearean plays carve out a more passive, male-defined role for women, such as that which is exemplified through Ophelia’s obedience to Polonius in Hamlet, the comedies of As You Like It and Twelfth Night explore women’s potential for unexpected honesty, especially within the...

As You Like It Twelfth Night 5 Pages