The Representation of Madness in Shakespeare's Text, Hamlet
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c. 1599-1601, by William Shakespeare
Tragedy
Set in Denmark, the play depicts Prince Hamlet and his revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother.
Madness is one of the most pervasive themes in Shakespeare’s Hamlet. Several of the characters in Hamlet could be considered mad. Most notably, Hamlet and Ophelia characterize the idea of madness in this play. The madness displayed by each of these characters is driven in part by the deaths of their fathers, however, they each portray it in different ways regardless of the similar origins. The madness of each of these characters ultimately ends in tragedy.
Hamlet, Claudius, Gertrude, Polonius, Ophelia, Goratio, Laertes, Voltimand and Cornelius, Rosencrantz and Guildenstern, Osric, Marcellus, Barnardo, Francisco, Ghost
Shakespeare’s telling of the story of Prince Hamlet was derived from several sources, notably from Books III and IV of Saxo Grammaticus’s 12th-century Gesta Danorum and from volume 5 (1570) of Histoires tragiques, a free translation of Saxo by François de Belleforest. The play was evidently preceded by another play of Hamlet (now lost), usually referred to as the Ur-Hamlet, of which Thomas Kyd is a conjectured author.
“Though this be madness, yet there is method in't.”
“Madness in great ones must not unwatched go.”
“There is nothing either good or bad, but thinking makes it so.”
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