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Mistry’s characters and backdrop rotate round the multistory of Mumbai. His stories mostly concern themselves with the harms and the unconventional behavior of Bombay Parsis. Rohinton’s novels focuses on themes relating to age difference between life-partners, domestic violence, women exploitation, superstitions, political influence in social life of people particularly that which distress Parsi community, sex crimes, parental influence on child’s love relationship and married life.
Thus, Rohinton Mistry’s novels are a perfect blend of love, intrigues, begrudges, politics, friendship and coarseness. There is also humor with rude jokes, intentions and pretentions. There is fledgling democratic system and the hopelessness of obsolete civic system. It is forcefully clear that the novels of Rohinton Mistry discover socio-cultural and political realities of India between 1960 and 1990. They closely observe the social, political and economic problems of people arising out of emergency, mistreatment, social evils and wars.
Mistry‘s works seeks to develop an image that involves both the community- cantered survival of the Parsis and their participation with the wider national framework. His novels are concerned with the experience of the Parsis in India. Mistry, re-narrates the olden times of his community and country as it has been in the post-independent period.
This re-narration of the past in a way portrays awareness of anxieties and aspirations, perils and troubles of survival of individual, communal and national issues. Mistry has, in this sense, effectively exploited some historical points of post- independent period and endeavoured to reorganize them and re-narrate about his society and country through the different narratives woven in the novel.
All of Mistry’s texts play with the limitations of the private and the community. Most of his main protagonists, such as Gustad and Yezad, occupy the two realms at the same time, while testing the boundaries of both. The public world is the world of the ordinary citizen and it consists of friends, associates and the professional space of work where these adult relations are artificial. As it was mentioned earlier, the themes of politics, history and community are essential to the life of Mistry‘s characters. The private world is the space of the home and the family, occupied mostly by women and children.
However, it is only in Family Matters that the query of the private space of individual identity is fully explored through many instances of clash between individual needs and duties towards the family or community. The leading of these is the heartbreaking story of Nariman Vakeel. He is forcefully separated from his Christian girlfriend by his parents and their well- wishers and compelled to bend to the general require of the community. But Nariman accepts the separation from Lucy out of exhaustion and a sense of the uselessness of the unequal struggle. This theme of compulsion exercised by the family is continual in a different context with Jal, Nariman’s step son.
Mistry has intentionally brought into the novel the love experiences of both the grandfather and the grandson with non-Parsi girls to restate that the Parsis can never change their beliefs even if it affects whims and fancies of the individual.
Mistry also logically portrays in the novel the present unhappy condition of the Parsi race. In free India, they are gradually losing the superior and high position they once enjoyed. At present there are different factors which make them feel that their existence is under threat. They feel that the succeeding governments of India are unfair towards them. The varying social system, the increasing communal clashes and violent behaviour triggered off by fundamentalism suppress them to a great extent. The Parsi race is nearing its destruction that makes them bother about the future of the race. At this stage, a reality threatens to wipe out his race.
Family Matters is about forced patterns and double-edged look for order in the change on both the individual person and the national levels. It uses patterns of recurrences and cyclicality and multifunctional elements. If the Indian national story less as the story of the nation in a finite, self contained textual space than as a production of stories that go up to make the present day India.
In the novel Family Matters, Mistry proves himself as a developed novelist. The central character Nariman is an outstanding creation because he is the only protagonist who stays most of the time bedridden. Mistry proves that tales could be woven around a silent personality
Mistry has an unusual emotional response and he has a soft corner for the poor and innocent people. Mistry rages war against the lack of humanitarianism. The worshipped possessions, poor people who lived in rustic areas could not struggle with them. Hence, rich became richer and poor became poorer. Further the people in the helm of relationships exploited the poor people.
Indians who are in the upper class strata of society begin to exploit the lower class innocent people. Rohinton Mistry portrays the untold sufferings of the bottom of the society. Thus, Mistry is the champion of the poor people. He handles many common problems of great political, religious, economic and literary activities in day-to-day life in their respective nation and also offers valuable solution to troubles.
Rohinton Mistry gives his voice in support of those who are affected by the political unrest. He expresses his personal feelings over suffering heroes. He satirises vehemently the exploitations of the powerful people over the poor and downtrodden. Mistry uses his works as a weapon against the exploiters.
Thus, Mistry conveys his message for dazzling exploitation of people to the world through his novels. He doesn’t stop with attacking the social evils. Mistry also conveys better solutions to those social inequalities and harms through his novels. It makes the readers to reverence the feeling of other man as they do to their own. It will cover way for peaceful life on the earth.
Mistry uses literature to grasp the mirror up to the society. Societies are always structured unevenly and individuals are born with differences and deprivations. India has earned the sobriquet ‘sub-continent’ because of its diversity and divided castes and classes. Religion and language ofcourse divide the people. Further, such divisions are engendered by devaluing others. Especially, caste and religion have affected the social functions and indirectly, the social institutions. As a result, disillusionment, unfriendliness, and hopelessness have become part of everyday life. Mistry pictures broken human personalities under the socio-economic cultural pressures and stimulates the human individual to cultivate a friendly growth and accept himself to the own social milieu. According to Mistry, the untouchables and the oppression of the untouchables in the name of religion are brutal and inhuman.
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