Essays on The Yellow Wallpaper

1892, Charlotte Perkins Gilman

Short story; Psychological fiction, Gothic literature

The Woman in the Wallpaper, John, Mary, Narrator, Jennie

Based on the theme of madness and being powerless. According to an article in Forerunner magazine’s publication in 1913, it has been loosely based on the author's own mental illness that she has been going through because of postpartum depression.

Feminism, madness, loneliness, isolation, mental illness, fear, postpartum depression.

It has been influenced by early feminism and gender relations in late 19th-century America. It also deals with the mental breakdown and the postpartum depression, loneliness, and isolation. The Yellow Wallpaper became a symbol of a mental disease and the covering of female loneliness and lack of help after becoming a mother.

It tells a story about a woman who is obsessed with the yellow wallpaper in her room, which is a symbol of falling into psychosis as a result of depression. As the protagonist is placed on a special "cure" at the rented summer estate with her family, she becomes isolated and slowly becomes insane. It shows the structure of domestic life through the lens of madness and the early feminism outlook.

The book has been written by Gilman to persuade her physician that his ways have been wrong.
The "Yellow Wallpaper" has been a helping grace for many other women to escape insanity.
Some publishers believed that this story was too depressing and rejected to publish it.
It is one of the earliest feminism-related stories ever published.
Hysteria was among the most frequent diagnoses that was common for women in the 19th century.
Gilman has never been paid for her initial publication of the story.
Gilman has testified before Congress in favor of woman suffrage at the 1896 Hearing of the National American Woman Suffrage Association.

“But I MUST say what I feel and think in some way — it is such a relief! But the effort is getting to be greater than the relief.”
“I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin.”
“You think you have mastered it, but just as you get well underway in following, it turns a back-somersault and there you are. It slaps you in the face, knocks you down, and tramples upon you. It is like a bad dream.”
“John laughs at me, of course, but one expects that in marriage.”
“I am glad my case is not serious! But these nervous troubles are dreadfully depressing. John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him.”

The culmination of this short story is so-called "rest-cure" of the Victorian times that has been meant to cure hysteria, loneliness, sadness, or any nervous condition in women living in those times.

It is an important work of art that brings up the issue of a mental breakdown that has been ignored in the 19th century. It also speaks of gender relations and the postpartum depression treatment where the men do not see any problem and choose to ignore it. As the story with the relative feminism and the use of symbols, it is a poignant story that is both disturbing and sincere to explain that the problem of depression and a mental breakdown does exist. As the essay topic, it is used to explain the gender relations and the domestic life of women.

1. Gilman, C. P. (2011). Why I Wrote the Yellow Wallpaper?. https://www.cambridge.org/core/journals/advances-in-psychiatric-treatment/article/why-i-wrote-the-yellow-wallpaper/9F0803493F9D522712BB4B31BA5CCDC2 Advances in psychiatric treatment, 17(4), 265-265.
2. Lanser, S. S. (1989). Feminist criticism," The Yellow Wallpaper," and the politics of color in America. Feminist Studies, 15(3), 415-441. (https://www.jstor.org/stable/3177938)
3. Shumaker, C. (1985). Too terribly good to be printed": Charlotte Gilman's" The Yellow Wallpaper. American Literature, 57(4), 588-599. (https://www.jstor.org/stable/2926354)
4. Davison, C. M. (2004). Haunted House/Haunted Heroine: Female Gothic Closets in “The Yellow Wallpaper”. Women's Studies, 33(1), 47-75. (https://www.tandfonline.com/doi/abs/10.1080/00497870490267197)
5. Oakley, A. (1997). Beyond the yellow wallpaper. https://www.sciencedirect.com/science/article/abs/pii/S0968808097900835 Reproductive Health Matters, 5(10), 29-39.
6. Hume, B. A. (1991). Gilman's" interminable grotesque": The Narrator of" The Yellow Wallpaper". Studies in Short Fiction, 28(4), 477. (https://www.proquest.com/openview/03ec7eec8bbc6db59ba8fa48aff47def/1?pq-origsite=gscholar&cbl=1820858)
7. Hume, B. A. (2002). Managing Madness in Gilman's" The Yellow Wall-Paper". Studies in American Fiction, 30(1), 3-20. (https://muse.jhu.edu/pub/1/article/439664/summary)
8. Johnson, G. (1989). Gilman's Gothic Allegory: Rage and Redemption in The Yellow Wallpaper. Studies in Short Fiction, 26(4), 521. (https://digitalcommons.kennesaw.edu/facpubs/1938/)
9. Bak, J. S. (1994). Escaping the jaundiced eye: Foucauldian Panopticism in Charlotte Perkins Gilman's" The Yellow Wallpaper.". Studies in Short Fiction, 31(1), 39-47. (https://go.gale.com/ps/i.do?id=GALE%7CA15356232&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=00393789&p=AONE&sw=w&userGroupName=anon%7E2783693e)