Essays on Medea. Free Examples of Research Paper Topics, Titles GradesFixer

Concepts: Medea, Euripides, Greek mythology, Jason, Ancient Greece, Woman, Tragedy, Marriage

Mask, Strength and Revenge in Medea

Writer Oscar Wilde once said: “A mask tells us more than a face.” Throughout history, lies and masks have been a means to an end in achieving the goals of women who are limited in their current situations – social, political, or economical. Women traditionally...

Medea Revenge 7 Pages

The Female Discourse and Patriarchal World of Medea

Although Euripides was known for his propensity to challenge tradition and complacency, his Medea was quite controversial when it was introduced in 431 B.C. in Classical Greece (ca. 479-323 B.C. ). Athenian society, a man’s world by organization, had no place for women outside of...

Medea 5 Pages

Medea's Emotions and The Way She Expresses Them

In Euripides’ Medea, one could argue that Medea’s most tragic flaw is her emotions. Medea goes on a quest to seek revenge on her unfaithful husband Jason and her retaliation is her closure. Jason’s betrayal is the fuel for this revenge, and along the way...

Medea 4 Pages

The Question of Infanticide in Ancient Greece Based on Several Texts

In Euripides’ Medea, Plutarch’s Sayings of Spartan Women, Lycurgus and Xenophon’s Spartan Society, it is made clear that filicide is a byproduct of the dichotomy of an honor vs. shame society. Medea, the barbarian wife of a man who remarries in order to gain citizenship,...

Medea 3 Pages

The Female Characters in Patriarchal Greece: Comparative Study of Medea and Lysistrata

The plays Medea and Lysistrata both portray title characters that are women in Ancient Greece. In each of these plays the title characters feel they must confront the patriarchal society in which they live. The men of Ancient Greece see the women as the lesser...

Lysistrata Medea 2 Pages

The Development of Medea's Tragic Character

What lends tragic literature its proximity to human nature is that the border between being a tragic villain and a tragic hero is extremely thin. A question that this statement will certainly bring up is whether there is such a thing as a hero or...

Medea 3 Pages

Euripides' Vision of Medea's Character

Critics have noted that unlike his illustrious predecessors who also specialized in Greek tragedy, Euripides bears a far greater sensibility towards the marginalized sections of society such that many of his prominent characters are seen to be either women or people belonging to the ‘lower...

Medea 3 Pages

Medea as an Agent of Divine Will

Euripides portrays his character, Medea, through a combination of sometimes contrasting traits. She is female in gender yet is largely responsible for the glory achieved by her husband and has achieved Kleos, an honor usually reserved for men. She is both powerless in her relationship...

Medea 3 Pages

The Means of Narration in Character's Presentation

Despite her violent transgressions, Euripedes paints Medea as a victim from the start to the end of the play. Even Medea’s most violent act, the murder of her own children, is made complicated by Euripides’ appeal to the reader’s sympathy for her situation. Medea’s goal...

Medea 2 Pages

Medea and the Women of The Tale of Genji: Acts of Despair in a Man's World

Medea, in Medea by Euripides, might be described as a hysterical and ruthless murderer, for she kills an innocent princess and slaughters her very own children. The women in The Tale of Genji by Murasaki Shikibu could easily be described as needy and foolishly jealous,...

Medea 3 Pages