Essays on Lord of The Flies

17 September 1954, William Golding

Allegorical novel

Ralph, Piggy, Jack, Simon, twins Sam and Eric

William Golding wrote "Lord of the Flies" as a response and counterpoint to R.M. Ballantyne's youth novel "The Coral Island" published in 1857. While Ballantyne's novel presented a romanticized portrayal of young boys stranded on an uninhabited island, depicting them as cooperative and civilized, Golding sought to challenge this idealistic view.
Golding was dissatisfied with the notion that children, when left to their own devices, would naturally form a harmonious and idyllic society. He believed that human nature was inherently flawed and prone to darkness and savagery, even in the absence of adult supervision. "Lord of the Flies" served as a critique of the optimistic perspective presented in "The Coral Island," aiming to explore the potential for moral degradation and the loss of innocence in a primal environment.

Innocence, Friendship, Childhood, Fear, Anger, Allegories.

The story follows a group of British boys who find themselves stranded on a deserted island after their plane crashes during a wartime evacuation. Without any adult supervision, the boys must establish their own society and survive until rescue arrives.
Initially, the boys attempt to create order and maintain a sense of civilization by electing a leader, Ralph, and establishing rules. However, as time passes, the inherent savagery within some of the boys begins to emerge. Jack, the antagonist, gradually rebels against Ralph's leadership and forms his own tribe, indulging in hunting and violence. The conflict between Ralph and Jack symbolizes the battle between order and chaos, reason and instinct.
As the boys succumb to their primal instincts, they gradually lose their sense of morality and descent into brutality. The novel explores themes of power, the loss of innocence, and the darkness that resides within all individuals. Ultimately, the arrival of a naval officer interrupts the boys' descent into savagery, revealing the horrors they have unleashed upon themselves.

"Lord of the Flies" by William Golding is set on a deserted tropical island in the midst of an unspecified global war. The location remains undisclosed, allowing the focus to be on the boys' struggle for survival rather than the specific geopolitical context. The island itself is described as a paradise, with its lush vegetation, beautiful beaches, and abundant resources.
The island serves as an isolated microcosm where the boys' behavior unfolds without the influence of adult society. It becomes a blank canvas upon which the boys project their own fears, desires, and conflicts. The absence of adults and external authority creates a vacuum that allows the boys to establish their own social order and rules.

Symbolism (the conch shell, the signal fire, the beast, etc.), allegory (the boys' descent into savagery and the struggle for power), foreshadowing (the appearance of the sow's head), irony, imagery.

"Lord of the Flies" has had a significant influence on literature and popular culture since its publication. The novel's exploration of the darkness within human nature and its commentary on the fragility of civilization continue to resonate with readers worldwide.
One notable influence of "Lord of the Flies" is its impact on dystopian and post-apocalyptic literature. The story's portrayal of a society descending into chaos and the exploration of power dynamics have influenced numerous works in this genre, such as Suzanne Collins' "The Hunger Games" and Margaret Atwood's "The Handmaid's Tale."
The novel has also had a profound influence on the study of human behavior and psychology. It raises important questions about the nature of evil, the role of society in shaping individuals, and the impact of isolation on human relationships. These themes have sparked discussions and academic analyses across disciplines, including psychology, sociology, and philosophy.
Furthermore, "Lord of the Flies" has become a cultural touchstone, frequently referenced in various forms of media, including films, television shows, and music. Its enduring popularity and ability to provoke introspection and critical thinking contribute to its ongoing influence in contemporary society.

One notable adaptation of "Lord of the Flies" is the 1963 film directed by Peter Brook, which brought the story to life on the big screen. The film received critical acclaim for its raw portrayal of the boys' descent into savagery and its faithful adaptation of the novel's themes.
The novel has also inspired theatrical productions, with stage adaptations being performed in different parts of the world. These adaptations provide a unique opportunity to experience the story in a live setting, further emphasizing the intensity and psychological depth of the narrative.
Furthermore, the influence of "Lord of the Flies" can be seen in popular culture references, such as television shows, music, and literature. Its impact has sparked discussions and inspired creative works that explore similar themes of civilization, power, and human nature.

1. William Golding expressed dissatisfaction with his own work, describing his novel as dull and unrefined, a sentiment he later expressed in interviews and private conversations.
2. The impact of "Lord of the Flies" extends globally, as the book has been translated into more than 30 languages, allowing readers from diverse cultures to engage with its themes and messages.
3. Before finding a publishing home, "Lord of the Flies" faced considerable rejection, with publishers rejecting the manuscript a staggering 21 times. This highlights the initial challenges Golding faced in getting his work recognized.
4. Esteemed author Stephen King has publicly expressed his admiration for "Lord of the Flies," identifying it as one of his favorite books. King's endorsement speaks to the lasting influence and appeal of Golding's work.
5. "Lord of the Flies" has served as a source of inspiration for a range of musicians across different genres, including rap and metal. Bands like Iron Maiden have drawn inspiration from the novel, incorporating its themes and imagery into their music.
6. "Lord of the Flies" holds a significant place among the most banned books in the United States. Its exploration of dark themes and depiction of violence has led to challenges and attempts to restrict its availability in educational settings.

“Ralph wept for the end of innocence, the darkness of man's heart, and the fall through the air of the true, wise friend called Piggy.”
“The thing is - fear can't hurt you any more than a dream.”
“Maybe there is a beast… maybe it's only us.”
“What are we? Humans? Or animals? Or savages?”
“We've got to have rules and obey them. After all, we're not savages. We're English, and the English are best at everything.”

The novel "Lord of the Flies" holds a significant place in literary discourse and continues to captivate readers across generations. Exploring timeless themes of human nature, morality, power, and civilization, it presents a compelling narrative that provokes introspection and critical analysis.
Writing an essay about "Lord of the Flies" allows one to delve into the complexities of human behavior, the fragility of societal structures, and the potential for darkness within individuals. The novel's depiction of the descent into savagery and the loss of innocence offers a profound examination of the human condition.
Moreover, "Lord of the Flies" serves as a cautionary tale, urging readers to reflect on the consequences of unchecked power, societal breakdown, and the thin veneer of civilization. It prompts discussions on leadership, group dynamics, and the inherent conflicts that arise in challenging circumstances.
By exploring the multifaceted layers of the story, an essay on "Lord of the Flies" allows students to sharpen their critical thinking skills, analyze complex themes, and engage in meaningful conversations about the darker aspects of human nature and society. It remains a relevant and thought-provoking piece of literature that invites examination and interpretation from various perspectives.

1. Bhalla, R., & Kowalski, C. (2017). What Lord of the Flies teaches us about primitive defence mechanisms and societal discontent. https://www.cambridge.org/core/journals/the-british-journal-of-psychiatry/article/what-lord-of-the-flies-teaches-us-about-primitive-defence-mechanisms-and-societal-discontent/348B50D2158ABAC55B3E94B2DB6F20BA The British Journal of Psychiatry, 210(3), 189-189.
2. Tippetts, C. S. (1926). The End of the Par Collection Litigation. The American Economic Review, 16(4), 610–621. (https://www.jstor.org/stable/2)
3. Alnajm, A. L. (2015). The main themes in Lord of the Flies. International Journal of English and Literature, 6(6), 98-102. (https://academicjournals.org/journal/IJEL/article-full-text/011E73A53478)
4. Gilfillan, James (1963) "Review: "Lord of the Flies"," Calliope (1954-2001): Vol. 10 , Article 25.
(https://scholarworks.wmich.edu/calliope/vol10/iss1/25)
5. Arnold Kruger (1999) Golding's Lord of the Flies, The Explicator, 57:3, 167-169. (https://www.tandfonline.com/doi/abs/10.1080/00144949909596859?journalCode=vexp20)
6. Chougule, R. B., & Hanash, M. M. SCARCE LIFE BETWEEN LEADERSHIP AND NATURE OF SAVAGERY IN WILLIAM GOLDING'S LORD OF THE FLIES. (https://www.literaryendeavour.org/files/9x6upa7d5i55pltczctm/2020-01%2007%20SCARCE%20LIFE%20BETWEEN%20LEADERSHIP%20AND%20NATURE%20OF%20SAVAGERY%20IN%20WILLIAM%20GOLDING%E2%80%99S%20LORD%20OF%20THE%20FLIES%20%20-%20Dr.%20R.%20B.%20Chougule%20&%20Manee%20M.%20Hanash.pdf)
7. Kabra, S. (2021). Lord of the Flies: International Intellectual Property Laws. UC Davis J. Int'l L. & Pol'y, 28, 1. (https://heinonline.org/HOL/LandingPage?handle=hein.journals/ucdl28&div=4&id=&page=)
8. Burgess, J. (1963). Lord of the Flies by Peter Brook, Lewis Allen, Dana Hodgdon. (https://online.ucpress.edu/fq/article-abstract/17/2/31/38032/Review-Lord-of-the-Flies-by-Peter-Brook-Lewis)