At first glance, the reader is not likely to notice the immediate clue which presents itself in the title of William Shakespeare's comedy, Much Ado About Nothing. If one, however, would follow the example of a Shakespearean player in Elizabethan times and pronounce the word...
Don Pedro is a very important character within Much Ado About Nothing by William Shakespeare, both within his own right and in terms of how he draws Shakespeare’s other characters together. Often referred to as “the Prince” from Aragon (“No Fear”), Don Pedro seems intelligent,...
Elizabethan men are not entirely different from some modern men, especially when it comes to their views on marriage, love, and sex. Many men still continue the double standard of expecting their partners to be virginal while they themselves are free to be sexually experienced....
“Though those that are betrayed Do feel the treason sharply, yet the traitor Stands in worse case of woe” (Cymbeline, III.iv). Shakespeare’s carefully crafted world of deception and trickery within Much Ado About Nothing thrives on deceitful characters-both malicious and virtuous-whose manipulation of information affords...
A central theme in “Much Ado about Nothing” is that of the literary tradition of a heroine within the social conventions surrounding women. The literary tradition of the time (and indeed, in many cases, up to the present day) bestows the conventional heroine with beauty,...
The world presented in Much Ado About Nothing is populated mostly by noble characters: The Prince of Aragon, Lord Claudio, Lord Benedick, The Governor of Messina and his daughter and niece. These characters embody the courtly ideas of social grace and wit, qualities that drive...
Many characters in Shakespeare’s plays disguise themselves in one way or another. An important component of many of the his plays is the masked revels. A character adopting a new outward persona is not at all unusual. This use of contrasting the apparent versus the...
Much Ado about Nothing focuses on the emotional development of two relationships that endure various levels of deception. Although both couples marry at the end of the play, the deception that occurs during the play exploits the emotional instability of Benedick and Claudio: “One deception...
In Much Ado About Nothing, love is fickle and volatile. Several pairs of characters fall in and out of love at nearly a moment’s notice and a few accept their emotions without question. Many complex events cause these sudden emotional changes to come about. Each...
William Shakespeare’s Much Ado about Nothing, brimming with metaphors and figurative clowning walks the line of comedy and tragedy. As Shakespeare flexes his exemplary wit which brands his work as so signature and formulaic; he brings probably the most memorable characters in the play; Beatrice...
Although set in Messina, Italy, the conventions in Much Ado About Nothing are those of Elizabethan England, where marriage was seen as a business transaction and family stability was vital. This idea is explored through the fate of Hero, who has little say in who...
Although considered light and delightful entertainment, Shakespeare’s plays of comedy often address serious issues confronting Elizabethan values of propriety and social decorum. Anti-Semitism, death and homosexuality are frequent themes woven in his plays and the latter is addressed in Much Ado About Nothing and The...
In Harold Pinter’s Moonlight, discordant scenes create a state of transition for the characters, who are facing the death of family patriarch Andy. Throughout the play, Pinter sets up scenes which would not fit logically into a linear story. Old friends reappear and converse with...
In The Merchant of Venice, Shakespeare crafts a dynamic female character uncommon to his collection of plays. Portia, the lovely and wealthy heiress, exemplifies stereotypical feminine qualities but also exhibits independent and intelligent thought. Most of Shakespeare’s female roles function as static characters designed to...
Enter the Jew. In this way does Shakespeare usher the character Shylock into his play The Merchant of Venice, and here begins the greatest controversy that plagues this work. The Elizabethan era, the time in which Shakespeare lived, was a time brimming with hostility toward...
In ‘The Motives of Eloquence’, Lantham describes Shakespearean drama as the art of “superposition”. One arc of action is performed over others so that “[d]ramatic motive is stronger than ‘real’, serious motive”. The justification of a characters action occurs as theatre. “Drama, ceremony, is always...
In “The Merchant of Venice”, William Shakespeare explores the cities of contrast which are Venice and Belmont. These two locations in Italy are so antithetic to each other that even characters’ behaviours fluctuate from city to city because of this disparity between them. This Shakespeare...
Art reflects the social context it was created in, and so can be useful in determining social opinions of different time periods. Live theatre is no different, and the way minority characters were written and portrayed on stage can be valuable to understanding how they...
It is often observed that William Shakespeare’s comedies feature some uncomfortable scenes that leave audiences unsure as to whether characters are participating in harmless, theatrical farce or a meaner brand of mockery that borders on the cruel. Such scenes involve trickery that seems funny enough...