If you used the word faggot in Shakespeare’s time; you wouldn’t be called a homophobe, you’d simply be referring to a bundle of sticks. If you considered women less capable than men; you wouldn’t be called a misogynist, you’d be a Jacobean realist. If you...
Shakespeare’s Caesar in “The Tragedy of Julius Caesar” is often mistaken as being a tyrant. This view comes from the characterization of Caesar through Cassius and Brutus’ eyes. Caesar’s qualities that make him a martyr instead of a tyrant are often overshadowed by Cassius’ accusing...
A comparative study of two texts reveals context as the primary influence upon the interplay between pragmatism and personality morality in an individual’s pursuit and consolidation of power. Driven by an overarching contextual desire for stable government, Niccolò Machiavelli’s The Prince (1513) and William Shakespeare’s...
The Tragedy of Julius Caesar: Building Tension in Play’s Turning Act Act 2, Scene 1 of Julius Caesar, from lines 1-69, is critically important as it marks a turning point in the play. The two characters appearing are Brutus and his servant, Lucius. Brutus, having...
We meet the character of Mark Antony three times before Julius Caesar’s death, though he speaks little and we do not get much of an indication of his character. Antony fully enters the play exactly halfway through, when he makes a gripping speech, and his...
Although the characters of The Tragedy of Julius Caesar can not be easily classified because of their emotional depth and mental complexity, one can draw certain conclusions about them based on the attributes that they possess. Shakespeare uses the intricacy of the characters’ personalities to...
The main characters in Shakespeare’s Tragedy of Julius Caesar have distorted self-perception, showing throughout the play that they see themselves as actors in a great historical play rather than actual people (Van Laan 139). Brutus, Antony, Cassius, and Caesar all overact in a sense and...
“For who so firm that cannot be seduced?” (1.2.312). Cassius’ muttered soliloquy in William Shakespeare’s The Tragedy of Julius Caesar immediately calls attention to his goal of manipulating people. A man well versed in rhetoric, he puts to good use his knowledge of persuading and...
The title of Shakespeare’s Julius Caesar is often criticized, argued that it should be titled Brutus, as Marcus Brutus is the tragic hero. However, the title is appropriate, as Julius Caesar, though insignificant as an actor in the play since he dies in Act 3...
Shakespeare’s Julius Caesar opens with the concurrent celebrations of Caesar’s defeat of Pompey and the annual fertility festival of Lupercal. The coupling of the two historically separate events each celebrating distinct gender roles dramatically highlights the importance of gender characterization. Rome’s patriarchal society demands a...
Introduction In The Tragedy of Julius Caesar speech plays an important role in the plot. The people in play are easily persuaded into opposing viewpoints though both Anthony’s and Brutus’s speeches. In Brutus’s speech he says “Not that I loved Caesar less, but that I...
In Shakespeare’s Julius Caesar, Caesar is a soon-to-be monarch who is murdered by a group called the Conspirators whose justification for their actions may be debated. Throughout the story, Brutus switches sides several times, starting as Caesar’s best friend, then going on to kill Caesar,...
After a close look at today’s society, an observer will find that within all healthy relationships, both people are equal partners. Today, this equality is something we believe to be a result of our basic human rights. However, in Shakespearean times, women were considered to...
In William Shakespeare’s tragic play Julius Caesar, the contrast between honor and power in a leadership position is presented as many individuals work to better Rome with their own ideals of national glory. Brutus and his followers pursue the idea that Julius Caesar was not...
Arguments are the pinnacle of progress, development and change. People with conflicting ideas and beliefs engage in this activity constantly. However, did you know that arguments actually come down to a science? In 4th century B.C.E, Aristotle theorized that a well formed argument must include...
Introduction In Henrik Ibsen’s acclaimed play Hedda Gabler, the main female character, Hedda Gabler, is a modern woman striving to attain her desires through manipulation. She persistently endeavors to create a world that matches her masculine character by exploiting the people around her. Gabler also...
Both William Shakespeare, likely the greatest English playwright of all time, and Henrik Ibsen, arguably one of the most brilliant and influential modern dramatists, are known not only for the power of their tragedies but also for their memorable female characters. Among the most famous...
Introduction Henrik Ibsen depicts Hedda Gabler as a woman who is trapped in her own life. Hedda has a thirst for life which she has not satisfied. She prefers a life filled with excitement, thrills, and courageous situations: “There was something really beautiful and fascinating...
Introduction For centuries, authors have strived to use their literary texts as a medium for social change and justice – conveying their thoughts and ideas on a variety of key issues and themes. In Hedda Gabler by Henrik Ibsen and Master Harold and the Boys...